Tag Archives: theosophy

REVIEW: THE UNSEEN by Katherine Webb

This is the first novel I have read by Ms. Webb but when she started with an epigraph page with quotes from William Wordsworth, Sir Arthur Conan Doyle and Rudolph Steiner, I knew I was in for a well-wrought story.  She certainly knows her literary stuff.

The novel straddles the span of a century — 1911 & 2011.  A young journalist is asked to find information about a WWI soldier whose body has just been found.  With just a couple of letters found with the soldier, she begins her search.  In the alternate world, Cat Morley is just starting her new job as a maid at Cold Ash Rectory.  The Reverend Albert Canning and his wife Hester hire the unfortunate girl as a sort of mission or kindness.  Their relationship is awkward, at best, and made even more strained when a Mr. Robin Durrant enters the picture.  A theosophist of great repute, the Reverend seeks to impress him with his own stories of fairies and elementals.  The two feed off one another’s arrogance and delusion.

A home in present day Cold Ash, Berkshire, England

The book is written in present tense, a style I usually don’t find readable.  However, Webb manages it well.  Descriptions are still rich and not the usual clipped, terse style of present tense writing.  Additionally, because it is contemporaneous, we the reader do not know that the narrator will “be alright”.  It adds dramatic tension and brings the reader closer to the action.

It is nowhere near lunch time when a smart knock at the door jolts Cat from her reverie.  She has been distracted all morning, her gaze wandering far and away through the hall window that she’s supposed to be polishing with ball of old newspaper.  Thoughts of George Hobson tease her mind away from work.  She saw him again last night, drank enough beer with him to make her head spin and her insides glow.  Now her head is spinning still, and her stomach feels weak, and a slow throb of pain has taken to beating behind her eyes.  Fatigue makes hr limbs heavy and her thoughts slow.  Even this early in the day the air is warm, and a mist of sweat salts her top lip. When the door knocker forces her to move she turns, catching sight of herself in a heavy-framed mirror on the wall.       ~Pg. 113

Cat is a complicated heroine.  She is both mature for her age and forced to deal with things far too young.  She is a free spirit trapped in a less than forgiving world.  She is likable but far from perfect.  Still, the reader is happy to root for her as she attempts to navigate the complicated household.

Webb also gives due to Charlotte Bronte’s Jane Eyre and her madwoman in the attic.  Jane’s terror when she is locked in the Red Room at Mrs Reed’s is as palpable. One of Cat’s worst fears is realized when she is locked in her room.

She hurls herself at the door, scrabbling at the wood, heedless of the splinters that drive themselves beneath her fingernails.  She points her fists against it, feels the shock of each blow rattle her bones.  But the door does not yield.

Hester, on the floor below, lies sleepless and alone in her bed. … Hester shuts her eyes and puts the pillow over her head, but she can’t block out the girl’s distress completely.  She has no choice but to hear it, and finds in it, as the night progresses, an echo of feelings deep inside her own heart.                   ~ Pg. 326

The reader can’t help but recall Jane’s own sleepless nights as Bertha Rochester haunted Thornfield.

One final, though rather picky, note.  The cover of this book does not match the book itself.  I know we’re not supposed to judge a book by its cover, but one does.  This cover looks like a YA romance, rather than an Edwardian-set mystery.  I just found it confusing.

All in all, The Unseen is a well-written, enjoyable book.  It would be a perfect summer read, especially on a thunderstorming afternoon.

Many thanks to William Morrow for the review copy.
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ISBN: 9780062077882
ISBN10: 0062077880
Imprint: William Morrow Paperbacks
On Sale: 5/22/2012
Format: Trade PB
Trimsize: 5 5/16 x 8
Pages: 464; $14.99; Ages: 18 and Up

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REVIEW: THE WOMAN IN BLACK (2012)


A crumbling manor, a mysterious curse, a sea mist and creepy deaths.  How could I (of all people) resist?  I am completely unfamiliar with the book (of the same name) by Susan Hill, which is rather unlike me.  And I was unable to see the staged version while in London this summer.  So I came to the film knowing nothing about the story, which was quite an unusual treat for me.

Arthur Kipps (Daniel Radcliffe) is a London solicitor still struggling with the death of his wife.  He is now raising his young son Joseph with the help of a no-nonsense and efficient nanny.  His boss gives him one more assignment to prove his worth to the firm and sends him to a non-descript village in England’s East coast.  His task is to settle the estate of Alice Drablow, formerly of Eel Marsh House.  Fans of Dracula will recognize similarities in these opening scenes.  The villagers are painfully tight-lipped and Arthur finds just one person who will drive him across the tidal and misty marshes to the entrance of the Drablow estate.  Once there, he is abandoned until the tides break once more.

Ensconced in the home and determined to prove himself worthy, he begins his quest through tattered and tanned documents, looking for anything that may shed light on Mrs. Drablow’s final requests.  But Arthur gets precious little done as he is continuously interrupted by the sounds of footsteps and a vision of a veiled lady.  Confused but unperturbed he returns to the village to ask questions.  He is once again told to return to London and leave their town.  Only one villager is welcoming – Sam Daily (Ciaran Hinds).  He is quick to dismiss the superstitions and ghostly tales of the common townfolk, despite having lost his own son years before… and having a wife who claims to be a medium.

Ciaran Hinds as Sam Daily

The story pulls from many gothic elements and therefore allows the viewer to fill in the details with their own expectations.  At the same time, the filmmakers treated the genre with respect.  The set of Eel Marsh House is incredibly lush.  Wallpaper patterns, antique toys, and window latches all work to create the atmosphere.  At times I wished for a touch more lighting so those details could be better enjoyed.

Still, a hint more of realism would have served the film well.  For example, the small family cemetery on the estate looks to be made of foam and borrowed from a Disney ride.  And the rusty front gate is propped open almost too perfectly askew.

The sound design is delightful.  There is some use of typical creaks and moans, but a great deal of it was original.  The scream of the Woman in Black is horrifying and I wouldn’t be a bit surprised if they mixed a recording of nails on a chalkboard in there.

Someone involved in the production design knows their stuff.  There is a wonderful blend of the modern versus tradition at play.  Sam drives a car, which is instrumental in the resolution of the story, while Keckwick (Daniel Cerqueira) drives a horse and carriage.  Telephones exist, but the village doesn’t have one.  And as Arthur rides the train, we see him notice a story on theosophy and mediums, a very popular subject at the time.  It even gives a nod to Sir Arthur Conan Doyle, himself a proponent of theosophy in later years.

The story occasionally plods, but it does allow the audience to catch its breath after a scare or two.  I would have liked to see even more detail and background about the Drablow family and ‘what really happened’ through the archival material that is found.  Or perhaps in stories from a townie.  Although we basically piece it together, a bit more detail would have helped fill it out.  Without giving anything away, some motives are less than clear.

Lastly, as an ardent fan of the Grenada version of Sherlock Holmes, I was delighted that David Burke (the earlier of the two Wastons) had a small role as PC Collins.  I desperately tried to find a screenshot of him, but to no avail.  Please send a link if you find one!  (This is he as Watson.)

This is an enjoyable ghost story with plenty of scares for teenagers who want to see Harry all grown up, and plenty of suspense for adults who like to solve  a mystery.

** If you have the option, do see it in 35mm. **

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Rated PG-13. 95 minutes. Hammer Films.  Released Feb 3, 2012 (US)
Official site: http://www.womaninblack.com

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