Tag Archives: Penguin

REVIEW: DEATH IN THE VINES by M. L. Longworth

Death in the Vines

Every summer reading list needs a cozy mystery.  This one is nestled in the community of Aix-en-Provence.  Magistrate Verlaque oversees Commissioner Paulik’s investigation of a possible wine theft.  A local vineyard is stunned to discover a number of irreplaceable bottles from its cellar.

Soon local law enforcement will wish the only crime they had to investigate was so innocuous.  Mme D’Arras has gone missing and her husband is beside himself with worry.  Unfortunately she will not return home from her wanderings like she has so many times before.  Pauline D’Arras is found dead in a vineyard.  Was it an accident?  Did she snoop too much at her neighbors house? The mystery deepens, and Verlaque calls upon his very capable staff at the Palais de Justice to solve it.

Verlaque’s capable girlfriend, Marine Bonnet adds her observations to the mix.  Her amateur detective skills come in handy on more than one occasion and everyday tasks become clues.  Author Longworth gives her academic characters in the story local flavor:

Marine Bonnet shirted from foot to foot, angry that she was having to line up at the post office on the sole day when she didn’t have to teach.  She had prepared the large manila envelope ahead of time, but the two automated machines that weighed and stamped parcels were out of order.  she was pleased with her essay on the relationship, and admiration, that Honore Mirabeau — Aix-en-Provence’s famed politician and man of letters — had shared with Thomas Jefferson.  She even thought that the paper could become a chapter in what she thought should be a new, sorely needed more modern biography of of Mirabeau.   Pg. 65

Typical Street Scene in Vieil Aix
Aix-En-Provence

The characters, regardless of their daily imperatives, manage to enjoy good wine, puff contraband cigars, and pick up fresh dinner ingredients at the market.  Settings include well worn side streets, historic homes, and established wineries.  It wouldn’t be a Bonnet & Verlaque mystery without it.  And it’s clear that Longworth holds a special affinity for the lifestyle as well.

L’Agence de la Ville was Aix’s biggest and most luxurious real-estate agency, in a town that could almost boast more Realtors than doctors.  It had a prime location on the Cours Mirabeau — on the north side of the café side, not the south bank side — so that one could stroll after a coffee and gaze at the framed, backlit color advertisements of bastides, stone mas, hôtels particuliers, lavish apartments, and even the converted barn or two.  The houses were located in the most desirable areas of Provence: Aix and its environs, the southern Lubéron, and the Marseille coast.  most of the properties had prices in the seven digits; for others, no price was given only the words “Inquire with us….” Pg. 188

Even amid the murders and mayhem, sun-soaked Southern France is held in high esteem.  This book is a concise, compact and quick read — the perfect formula for a summer cozy.

Many thanks to Laura at Penguin for the review copy.

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ISBN: 9780143122449
304 pages
28 May 2013
Penguin
8.26 x 5.23in
18 – AND UP

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GIVEAWAY: THE BOOKMAN’S TALE by Charlie Lovett

Hello Dear Readers!

I have a great giveaway for you.  Just leave a comment and be entered to win this new book.  I just started reading it myself and am enjoying it quite at bit.

BookmansTale

 

Description:

Hay-on-Wye, 1995. Peter Byerly isn’t sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn’t really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture’s origins.

As he follows the trail back first to the Victorian era and then to Shakespeare’s time, Peter communes with Amanda’s spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

The kind folks at Viking/Penguin will send one copy of this brand new book to one lucky winner to an address in the Continental US.  Here’s what you need to say in the comments:

1) Leave your first name
2) Include your email address in the following format — name (at) email (dot) com — to prevent spam.
3) Tell us your favorite work by Shakespeare.

Contest is now closed!  Congratulations to Meg Cronin!

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REVIEW: THE HONEY THIEF

By Nasaf Mazari & Robert Hillman

The_Honey_Thief_1

Hazarajat, a central area of Afghanistan, has remained rural for centuries.  Though modernity has seeped through the cracks of this archaic land, traditions have remained.  One of those customs is storytelling.  The authors bring their type of storytelling heritage to a Western audience.

In the city where I live now, all the stories are in books.  They are studied in universities.  I am not sure that these stories still pierce the flesh of those who hear them and make a life for themselves in the listener’s heart.  In Afghanistan, we have very few universities and very few professors.  The history of the Hazara is told in the fields, in our tents, in our houses.  Many of the stories I heard when I was growing up, even those from centuries ago, came to life again before my eyes.   Pg. 3-4

These interwoven stories feel ancient, as old as the Hazara people.  Yet when the reader thinks they are hearing a story that took places many years ago, the narrator drops in a modern detail.  It is slightly jarring, but it is effective.  It reminds the reader that the themes of humanity remain the same, even if times change.

Near Hazarat
Near Hazarat, Afghanistan

The tales surround a honey maker, a the search for a snow leopard, an unlikely musician, an unlikelier political dissident, and even an American baseball pendant.

The book also illuminates the culture of the Hazara people — sometimes with great humor.

Suspicion of strangers is as common amongst the Hazara as amongst any other people.  The villagers watched the house about had once belonged to the wool-dyer to satisfy their curiosity about the new owner, and also to make sure that he was not a spy in the employment of Shah Zahir.  It was thought, too, that the house of the wool-dyer might be cursed since it acted as a magnet for desperate people.  Some of the older people of the town claimed that the house had been occupied by madmen even before the time of the wool-dyer.  Pg. 81

Hazara, A candy factory in Kabul.  By Stve McCurry
Hazara, A candy factory in Kabul. By Steve McCurry

The Honey Thief is a kind of modern-day 1001 Nights for the Hazara.  It is a truly joyful set of fables.  Anyone with an interest in storytelling traditions in vibrant cultures and hearing tales that truly resonate needs to read this book.  It is destined to become a classic.

Many thanks to Jane at Viking / Penguin for the review copy.

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ISBN 9780670026487
304 pages
18 Apr 2013
Viking Adult
9.25 x 6.25in
18 – AND UP

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REVIEW: THE UNCHANGEABLE SPOTS OF LEOPARDS by Kristopher Jansma

SpotsofLeopards

This is the The Talented Mr. Ripley for the newest generation.  It’s a twisting tale of identity and the search for true companionship.  Each chapter marks another episode in the young protagonist’s life.

The book opens with an “Author’s Note”, but this is only the first of many kindly deceptions.  It’s not from the author Jansma, but rather the shifting personality of the narrator.  In just the first paragraph, Jansma has already sketched a fascinating and compelling narrator.

I’ve lost every book I’ve ever written. I lost the first one here in Terminal B, where I became a writer, twenty-eight years ago, in the after-school hours and on vacations while I waited for my mother to return from doling out honey-roasted peanuts at eighteen thousand feet.  ~Pg. 1

From there on, Jansma has the reader in his clutches.  In each chapter, the narrator is a bit older, and coming in to his own.  each chapter is a slight of hand that reveals itself to be a reiteration of the same basic story.  Boy loves girl who is too far above him, and is already in love with another boy.  But maddeningly, the reader somehow never sees it coming.  This basic strand is so far buried in the massive, complicated tapestry that we forget all about it.  Until it comes back to haunt us — and the narrator.

This narrator is a chameleon by choice, donning various cloaks until he finds one that he likes.  He travels the world, from the Grand Canyon to Manhattan jazz clubs, to Sri Lankan jungles to the wilds of Africa.  But each time around, there is a loop he cannot escape.

Kristopher Jansma
Kristopher Jansma

Writers and literary geeks will also enjoy the narrator’s inner voice as he struggles with his own writing.  In an early chapter, he talks about the standard college composition class, filled with self-important egos and undiscovered voices.  Yet, even there, words have power.

Julian held books right close up to his face — a habit formed, he explained, in his nearsighted youth — and now, even with the contact lenses in, he liked to have the page within a few inches of his eyes.  So close that the pages scraped the tip of his nose as he turned them.  So close that, when he inhaled sharply at a particularly good turn of phrase, the paper seemed to lift up slightly and tremble before settling back again.  ~Pg. 40

And he waxes rhapsodic about the writing process.

I have always done my best work in crowded transportation hubs.  Airports, train stations — a bus stop, one time — these have been like my personal little cafes doted along the Seine.  I’d given up being a writer, aside from the essays that I sold to my shadowy students around the globe.  ~Pg. 141

And somewhere in all of these philosophical musings and attempts at identity, the truth lies.  Here we come back to that thread again.  That thread is the writer’s truth, that which doesn’t change despite the various characters and plot twists that life brings at us.

I so enjoyed reading this book. It doesn’t get caught up in itself or become arrogant.  Instead, it shows its narrator’s weaknesses for the entertainment of the reader. It’s thoughtful enough to be affecting, but remains accessible, and more than that, it is an enchanting book.

Many thanks to Lindsay and Elaine at Penguin for the review copy.

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Hardcover
9.25 x 6.25in
272 pages
ISBN 9780670026005
21 Mar 2013
Viking Adult
18 – AND UP

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REVIEW: YOUR HOUSE IS ON FIRE, YOUR CHILDREN ALL GONE by Stefan Kiesbye

This book nearly defies description, but here goes.

The novel is a spider web of small tales, each with an allegorical twist.  Somewhere vaguely Germanic, or possibly in eastern European, is the small town of Hemmersmoor.  These people live a simple, happy life.  There are still stores on the main street – bakeries, hardware stores and sundry shops.  Time is also a shimmering mist over the town.  There are mentions of trucks and a war, but nothing about telephones or television.

“Hemmersmoor” translates as “inhibitor’s moor”, and it’s an atmospheric place.

A few years back, a fire destroyed was left of Otto Nubis’s workshop.  What lay beyond the factory, outside our village, we all have dutifully forgotten.  The country is trying to open a museum there, but who is going to buy our paintings and clay souvenirs if their plan is successful?  The villagers are shaking their heads.  Why should we have to suffer against?  We had nothing to do with it.

Time is of no importance.  I was young and didn’t know a thing about our time.  There had never been a different one in Hemmersmoor.  In our village time didn’t progress courageously.  In our village she limped a bit, got lost more than once, and always ended up at Frick’s bar and in one of Jens Jensen’s tall tales.     ~ Pg. 4

The book has been compared to stories by Shirley Jackson, Rod Serling, and Susan Hill.  But that somehow doesn’t quite encompass it.  Imagine if Garrison Keillor wrote the stories of Lake Woebegon but he was completely creepy.  Various town citizens’ stories intertwine and overlap, with the youth pulling all the strings.

These young people represent an angst-ridden, floundering generation, with too much energy and not enough direction.  When they are left to their own devices, their bizarre things begin to happen.  Nine ghosts haunt a defeated woman, a carnival steals souls, and a bet turns deadly.

The motive rides a fine line between an evil, supernatural force and bizarre happenstance.  There is no force, no arch villain — only a unseen, creeping unease.

Kiesbye’s style is refreshing, succinct and terse.  Yet without any flowery language, Kiesbye draws an eerie and vivid picture.

I thoroughly enjoyed this book and I was greatly impressed with his storytelling ability.

Many thanks to the folks at Penguin for the review copy.

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ISBN 9780143121466
208 pages
25 Sep 2012
Penguin
8.26 x 5.23in
18 – AND UP

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GIVEAWAY: YOUR HOUSE IS ON FIRE, YOUR CHILDREN ALL GONE

Just in time for Halloween, the kind folks at Penguin have sent me a giveaway copy of the new creepy book by Stefan Kiesbye, author of Next Door Lived A Girl.

Here is what others are saying:

“Creepy in a way that actually made me quite nervous.” —Ben Loory, author of Stories for Nighttime and Some for the Day

“With a chilling twist here and there, a sly, stark wit, and a fascinating cast of lost boys and girls, Your House Is on Fire, Your Children All Gone is part nostalgia trip and part horror show, as honest and heartfelt as The Virgin Suicides in its portrait of adolescent yearning, anxieties, and heartbreak.” —Timothy Schaffert, author of The Coffins of Little Hope

“Full of dark folk magic and frightful, lurid wonder. It casts a spell, winking all the way through every grim detail and shadowy secret.” —Paul Elwork, author of The Girl Who Would Speak for the Dead

So, you want to read it now, right?  Well you can win a copy right here.  It’s pretty easy.

1.  In the comments below, leave your name (just your first is fine), email (name [at] domain [dot] com to prevent spam).

2. In the comments below, tell me your favorite thing about Halloween.

3. Post on Twitter or Facebook about this giveaway.

4.  Have a US mailing address.

That’s it!  I will select a winner randomly.  The contest is open until Thursday, October 18 at 5:00 p.m. EST.  Good luck — and Happy Halloween!

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REVIEW: THE OTHER WOMAN’S HOUSE by Sophie Hannah

In the last couple of years I’ve become a fan of Sophie Hannah’s writing.  She writes fast-paced, gritty police procedurals with dark psychological undertones.  In some ways, she reminds me of a British Kathy Reichs.  This installment of Zailer and Waterhouse’s casebook takes them to Cambridge.

The book’s main heroine, Connie, is suffering from a bout of insomnia.  She logs onto a real estate website and browses for “dream” homes in nearby Cambridge.  While looking at property photos, she sees one with a dead body splayed on the living room floor.  Shocked and discombobulated, she reloads the site, but the image is gone.  Thus begins a series of confusing events that causes Connie to question her sanity and identity.

Connie attempts to solve the unnerving incident, with help from a honeymooning Zailer and Waterhouse and a stateside officer Sam Kombothekra.  But even a close following of the clues does not give away the ultimate suspenseful ending.

New construction in Cambridge

Sophie Hannah switches between narrators and tenses.  Connie “speaks” in present tense  and often goes into stream of consciousness.

While Kit takes him upstairs, I pace up and down, picturing 11 Bentley Grove’s lounge, trying to uncover the missing detail.  The woman disappeared.  The blood disappeared.  And something else…

I’m so wrapped up in my thoughts that I don’t notice Kit had returned, and I jump when he says, ‘I know everyone hates estate agents, but you’ve taken it to a whole new level.  What you haven’t done is considered the why.  Why would some evil genius estate agent, sitting in his office in Cambridge, want to include an elusive dead woman complete with own pool of blood on the virtual tour of a house he’s trying to sell?  Is it, what a daring new marketing technique?  maybe you should see which agent the house is on with, ring up and ask them.’ ~Pg. 47

This sort of wandering inner thought that the reader is privy to adds suspense and allows the reader to quickly and strongly sympathize with the characters.  It also limits the readers understanding of what’s going on, which allows us to discover it as the characters do.  It’s an effective device and one that Hannah uses well.  This book in particular harkens back to elements Gaslight, which a film nerd like myself can’t help but giggle at with delight.  The plot is full of red herrings and, like much of Hannah’s work, is not a whodunit for the reader to figure out but rather a twisting tale to watch unfold.

Many thank to the folks at Penguin for the review copy.
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ISBN 9780143121510
Paperback
5.31 x 8.03in
464 pages
26 Jun 2012
Penguin | 18 – AND UP

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PENGUIN ACTS OUT – Part The Fourth

Penguin has got himself into trouble this time!

He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared.  He prided himself on his connoisseurship in wine.

We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame.

The Cask of Amontillado, by Edgar Allan Poe 

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PENGUIN ACTS OUT – Part the Third

 

One of the the wildest stories related to a Yellow Diamond — a famous gem in the native annals of India. … Partly from its peculiar colour, partly from a superstition which represented it as feeling the influence of the deity whom it adored, and growing and lessening in lustre with the waxing and waning of the moon, it first gained the name by which it continuues to be know in India to this day — the name of THE MOONSTONE. …

And the Moonstone was seized by an officer of rank in the army of Aurungzebe.

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REVIEW: THE BELLWETHER REVIVALS by Benjamin Wood

The Bellwether Revivals is part Evelyn Waugh, part Patricia Highsmith, and part… something else.  Twilight Zone, perhaps.  The protagonist, Oscar Lowe, is a townie with few prospects in the storied university town of Cambridge.  While wandering past the King’s College chapel, he is entranced by the organ music he hears.  He sits in on the service and become enamored by one of the angelic voices in the choir.  Oscar waits on the chapel steps, hoping to meet her.  She is Iris Bellwether, and her brother Eden, it turns out, is the organist.  He falls in with the Bellwether siblings, pulled into their otherworldly existence.

In a kind of Talented Mr. Ripley, in reverse, Oscar begins to fear the unhinged genius of Eden Bellwether.  A musical prodigy, he is convinced that certain compositions and ceremonies can heal.  Vibrations realign and agitate cells to reconfigure, almost like string theory on a larger scale.   But Eden’s hobby begins to take on a life of its own — and threatens to destroy others’.

Wood presents a setting that only Old World, storied intellectuals live in. Here, the minds of Cambridge meet the unfettered wealth and youthful arrogance. Like Nick Carraway in the Great Gatsby, the reader needs the guidance of Oscar in this strange yet simultaneous world.  Wood describes an evening with the Bellwether family:

They all retired to the drawing room after dessert.  It had the conscious extravagance of a hotel lobby: leather sofas, candleabras, a grand piano, and a marble fireplace.  Theo stood behind a rosewood cabinet, stacked with cut-glass decanters, and began removing stoppers and sniffing the contents of each bottle, as if about to commence some explosive chemistry experiment.  Eventually, he chose one and lifted it.  ’ Alright.  Who’ll share some Delamain with me?  Oscar, I know your’e game.’  Theo raised one eyebrow.

‘Thanks, Mr. Bellwether,’  he said, ignoring Iris’s suggestive cough.

‘Some of the best cognac you’ll ever drink, this,’ Theo went on. ‘Three grand for seventy piddling centilitres.’   ~Pg. 96.

This is a conversation Oscar could never even begin to have.  It’s doubtful someone in his position would ever even have £3000 together.  His world consists of 12-hour shifts at an elderly nursing home.  Still, he manages to find pleasure in it, befriending an old man who lends him books and life advice. But after meeting the Bellwethers, Oscar finds himself constantly feeling out place no matter where he is of who he is with.  As Eden slowly takes over their lives, things become even more surreal.

Wood’s writing is clear and straightforward, which makes the oddity of the story all the more powerful.  The characters, particularly Eden Bellwether and Herbert Paulsen, are richly drawn.  The story does take a couple of chapters to get going, but once it does, it is highly addictive.  It a few flakes become a snowball, then an avalanche.  It’s a forceful, unnerving and brilliant book.

Many thanks to the folks at Viking Adult for the review copy.  Visit author Benjamin Wood’s official site.

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ISBN 9780670023592 | 432 pages | 14 Jun 2012
Viking Adult | 5.98 x 9.01in | 18 – AND UP

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Penguin Acts Out – Introduction

The super cool people at Penguin English Library have been having a little fun with a penguin figurine and some famous scenes in classic literature.  This has been christened Penguin Acts Out.

I’ve been inspired to do the same but I’ve only done a couple so far.  Watch this space for my contribution to Penguin Acts Out!

 

 

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Penguin English Library

In anticipation of the release of the latest edition of the Penguin English Library, the folks on twitter asked us readers what we’d like to ask the editor of the series.  I sent in a number of queries, some of which he answered!  You can watch the video here:

Penguin English Library – Simon Winder

Thats me!

 

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REVIEW: MIDNIGHT IN PEKING by Paul French

I noted when I first read this, and I still find it true:  This is the best true crime book I have read since The Devil in the White City.  Paul French painstakingly recreates not only the last days of Pamela Werner, but a crumbling China.  Like the Columbian Exposition of 1893 in Chicago, Peking was a city made up of cities.  The Legation Quarter was an entire neighborhood composed of various nationalities’ embassies, clubs, hotels and theatres.  Facades that reminded their frequenters of home, an island in the middle of ancient China.

With Orientalism at its height, in 1936 and 37, a 19 year old Englishwoman should have been having the time of her life.  Daughter to a British consul, she could enjoy the exoticism of living in China by living just on the edge of it.  But one morning in January 1937, her body is discovered at the base of Fox Tower.

Her violent death shocks Chinese and European Peking alike.  Locals fear they will be blamed, while European authorities are loathe to think a fellow foreigner could have done such a thing.

Drawing on Pamela’s father’s extensive notes, as well as newspaper accounts and the files of the two detectives assigned to the case, French breathes new life into a 75 year old murder mystery.  And though his research is diligent, there is nothing dry about this book.

Author Paul French at the base of the Fox Tower

Between DCI Dennis and Colonel Han the reader is led through a rabbit warren of opium dens and ancient hutongs, meeting salacious ne’er-do-wells, White Russians, questionable witnesses.  The characters — in this case real people — are flawed, human and sympathetic.  In fact, it’s hard to even find a true hero, though a number of heroics are performed.  Still, these people are so well-drawn by French that you can’t look away.

And the city of Peking is itself a character.

Dennis and Thomas found a table out of sight to all but the white-suited, silent-slippered Chinese waiters who brought whisky sodas and replaced the big brass ashtrays on stands next to each man.  The spittoons on the floor were unused by foreigners but were standard Peking fixtures.   The ladies and bright young things among the palm fronds were drinking the Wagon Lits’ signature champagne cocktails, or gin rickeys and sherry flips; there was a background noise of ice on metal from the cocktail shakers behind the bar.  A string quartet played light, faintly recognizable mood music — the greatest hits of 1935 had eventually made it to Peking.  The city tried but it couldn’t help being behind London, Paris and New York.

French has also put together a fantastic website, chronicling all evidence as well as providing photographs and maps of the sites in the book.  However, if you haven’t finished the book, be wary as there are spoilers.

Midnight in Peking has brought Pamela Werner out of oblivion and given her new life.  And we can walk the streets of old Peking with her, until that cold night in 1937.

ENTER TO WIN A COPY HERE.
________________________________

A great many thanks to the folks at Penguin for the advanced readers copy, and the giveaway copy.

Hardcover: 272 pages
Publisher: Penguin (Non-Classics); 1 edition (April 24, 2012)
Language: English
ISBN-10: 0143121006
ISBN-13: 978-0143121008
Product Dimensions: 9.1 x 6.3 x 1.2 inches

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GIVEAWAY: Midnight in Peking

Thanks to the folks at Penguin, I am giving away a hardcover copy of MIDNIGHT IN PEKING by Paul French.  It’s the best historical true crime I’ve read since The Devil in the White City. (My full review is here)

To enter, please:

1. Leave a comment, with link to a Facebook or Twitter post in which you linked to this giveaway

2. Submit between now and Monday, April 23, 2012 at 4p.m. EST,

2.2 Due to technical difficulties on my part, I’ve extended this giveaway until Monday, April 30, 2012 at 4 p.m. EST.

3. In the comment, include your email in the following format (to reduce spam): name (at) domain (dot) com.

Winners will be chosen via random.org from among the valid entries. US mailing addresses only, please.

Good luck!

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REVIEW: THE CHILD WHO by Simon Lelic

This novel is a balanced mixture of psychological thriller and police procedural, primarily told from the point of view of Leo Curtice, a defense lawyer.  He is assigned the case of Daniel Blake, a twelve-year-old accused of killing his eleven-year-old classmate.   Curtice seems clear that his job is to protect the boy as his fate is decided by those who are distant, older and caught up in the emotions of the situation.  But when threatening letters begin arriving, Curtice must decide if he can defend the child and keep his own family safe.

Lelic manages to walk a fine line in telling this story.  The horrors of the crime are clear but not gory.  The accused is sympathetic but not excused.  Where to place blame is not clear.  Curtice himself is a parent who struggles with his duty to his job with his duty to protect his wife and daughter.  In many ways, it reads like a novelized version of an episode of Law & Order: UK.  Lelic attempts to tell the story with all aspects in mind.

The narrative moves quickly from investigation to legal procedure, interspersed with internal thoughts.  Lelic does so with deep descriptions.

The kitchen is dark and she leaves it dark until she gathers the will to boil an egg.  The shell is fiddly, though, and she scalds her fingers and in the end she cannot be bothered with it.  She slides the plate away, toast and egg cup and all, and pull her mug of tea and cigarettes nearer.  Her phone, too.  She checks the screen, just in case she has missed a call, even though the house is silent and the phone has barely left her grip.  Page 2.

The track curved and the train tipped and the ground beneath them seemed to fall away.  Out of one window reared a ragged cliff face; in the other, the bucking seas.  A wave lunged and clawed the track, then slid back into the writhing mass.  the water, in the winter sun, sparkled like a lunatic’s grin.  It seemed joyous, heedless, unconstrained in its dementia.  It launched itself again and this time lashed the carriage but the train seemed to barely judder.  It sped on – lungs full, head down – and dived for the approaching tunnel.  Page 151.

This novel brings to the fore questions about identity, nature vs nurture, and responsibility, all while telling a fast-paced story.

Many thanks to Elaine at Penguin for the review copy.

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ISBN 9780143120919 | 320 pages | 28 Feb 2012 | Penguin | 8.26 x 5.23in | 18 – AND UP

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REVIEW: THE APOTHECARY by Maile Meloy

With illustrations by Ian Schoenherr

Normally I don’t read young adult books for review.  I think this is due mostly to the fact that I never really read them when I was a young adult.  I sort of skipped that and went straight on to adult titles (The most notable exception being the wonderful stories of John Bellairs). That, and I suppose I am so buried under books written for adults that to expand genres would only complicate matters.  But something about the descriptions drew me to The Apothecary and I wasn’t disappointed.  
The young heroine is a smart and insightful, but terribly self-conscious fourteen year-old girl.  Already struggling (like anyone) to make the awkward transition from kid to teenager in a sunshiny, idyllic Los Angeles of the early 1950s, she is forced to uproot and move to London.  Her parents, successful television writers in Hollywood, are under surveillance by HUAC.  Rather than  fight a losing battle against unfounded suspicion, they decide to take jobs writing for the BBC.  
Just one of the gorgeous illustrations by Ian Schoenherr
Dropped in the midst of postwar London, without a friend or a clue, Janie Scott becomes immersed in a strange and magical world.  She befriends the son of the local apothecary (the pharmacist, in American) and discovers that the shop dispenses more than the usual remedies.  They are charged with keeping safe an ancient book with recipes and must keep it from falling into the wrong hands. 
Janie’s adventure is great fun.  And like any true young adult book ought, not everything turns out perfectly.  Having just been to London myself this past summer, I especially enjoyed seeing the city through the eyes of another who also felt wonder and overwhelmed at every turn.  
I was incredibly thrilled that the Chelsea Physic Garden figures into the story.  It might have been my favorite stop in London; I didn’t want to leave.  It’s truly an oasis in the middle of the city, and  is a very impressive garden in its own right.  
One of my MANY photos from the Chelsea Physic Garden
All to often books talk down to young readers.  Not so here.  The book is well written and moves right along.  It’s adventurous and imaginative.  Despite its young tone, I was never bored.  I can highly recommend it for young ladies with a particularly precocious spirit.  
A great many thanks to Penguin for the review copy.  
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ISBN 9780399256271 | 368 pages | 04 Oct 2011
Putnam Juvenile | 9.25 x 6.25in | 10 – AND UP years
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GIVEAWAY: A DISCOVERY OF WITCHES

Christmas hustle and bustle got you harried?  Want to win something? For yourself?  You don’t have to tell… just leave a comment below and  you’ll be entered to win a copy of A DISCOVERY OF WITCHES, out in paperback this December 27.  Easier than reciting a magic spell!

Here’s a bit about the book:

- Set in real, storied and historic places on the campus of Oxford University, England.
- It debuted at # 2 on the New York Times bestseller list and was published in 34 countries.
- Warner Brothers has acquired screen rights to A DISCOVERY OF WITCHES and its sequels.
- A second installment in the All Souls Trilogy, Shadow of Night, is due out in summer 2012.
- Read about the author and her works here: http://deborahharkness.com/discovery-of-witches/

THIS GIVEAWAY IS OVER.  CONGRATULATIONS TO JENNIFER.

Here’s a bit about the giveaway:
- To enter, leave a comment on this post with A) Your First Name & B) Your Email in the following format  [email (at) domain (dot) com.
- Winner will be chosen via random.org.  Entries must be posted on December 30, no later than 5:00pm EST.
- Prize is one paperback copy of A DISCOVERY OF WITCHES by Deborah Harkness.
- Prize will be mailed directly to the winner from the publisher.

Good luck!!

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REVIEW: GOOD NEIGHBORS by Ryan David Jahn

It’s called the “bystander effect” and its real.  It’s been proven time and again by psychologists.  And it has been under discussion again with the Penn State scandal.  (Read about it here from NPR) Most people think they would intervene if they saw a crime happening in front of them.  They would either step in, or at least call the police or an ambulance.  The truth is, as humans, it’s not that cut and dry.  The more witnesses there are, the less likely it is that someone will come forward.  Why?  Everyone assumes that someone else will pick up the phone.  The mind makes excuses.  
In 1964, this bystander effect cost a young woman her life.
Based on the true events surrounding the attack of Kitty Genovese, Ryan David Jahn explores the by stander effect, creating scenarios for each of the neighbors who did nothing.  Each chapter changes point-of-view, showing what each character was doing, instead of helping Kitty.  Failing marriages, draft papers, corrupt cops and an ailing mother all lurk behind the windows, safely inside.  
Kitty Genovese
Jahn creates a set of very believable characters and the book begins quite strongly.  But as the story progresses, it devolves into repetitive, spiraling narratives about selfish and shallow people. The only threads that kept me slogging through the mid-pages were that of Frank and Erin and Patrick and his mother.  It finds its footing once again as the threads come together once again in the final chapters.  Most effective is the first-person narrative of Kitty.  Her inner thoughts of terror and determination for survival is gripping, and is the strength of the book.  Even as it is a novel to be read for itself, hopefully, it will remind its readers of the importance of stepping in, speaking up and making a difference.
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Many thanks to Penguin for the review copy.
ISBN 9780143118961 | 288 pages | 31 May 2011 | Penguin | 5.15 x 7.87in | 18 – AND UP
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MORE GREAT READS FOR HALLOWEEN

Can’t get enough of ghoulish stories?  Neither can I!  Which means I have even more creepy titles to suggest for Halloween — and any chilly, fall night best spent by the fire.

How about something easy to get into and tough to put down?  Try MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN by Ransom Riggs.  It’s a very fun read and interspersed with strange photographs.

Can’t get enough of salacious mysteries?  Try THE CRADLE IN THE GRAVE by Sophie Hannah.  Frighteningly realistic police procedural.

Read my entire review here. 

A strange disappearance and a race to find the truth are the object of the entirely-true, bone-chilling tale of THE LOST CYCLIST by David Herlihy.

Or try something in the realm of the impossible made entirely plausible in a collection of short stories by Ben Loory.  STORIES FOR THE NIGHTTIME AND SOME FOR THE DAY is unlike anything else.

Science, too, can be terrifying, when we take a look at how far we’ve come.  Check out MEDICAL MUSES: HYSTERIA IN 19TH CENTURY PARIS by Asti Hustvedt and learn about some of the first studied ideas about sanity. 

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REVIEW: RULES OF CIVILITY by Amor Towles

I loved this book.  I loved reading it, the story, the cover art, the photo insets, almost everything about it.  It’s probably blasphemous for me to say, but I enjoyed it more than The Great Gatsby.
Set in a post-Depression Manhattan, it follows the trials and triumphs of a small group of friends (and sometimes lovers) in a glittering, Art-Deco New York City. Katey Kontent (yes, the name is a bit self-conscious, but so is Katey) is the narrator of the tale and is far from content.  She works as a secretary in a very respectable firm and finds fun where she can with her friend Eve Ross.   Both of their fates take a turn on New Year’s Eve in a dark jazz club — the night when Tinker Grey comes into their lives.
The overall theme is that life is an adventure unwritten, and not every turning reveals good fortune.  When a shattering accident affects all in their small but close-knit group, it sends each shard of their relationship in multiple directions.  

Publicity postcard for Rules of Civility
Rules of Civility refers to George Washington’s book of the same name in which he laid out guidelines for keeping polite company.  Tinker sometimes references it, though often ironically.  This book instead creates its own witticisms and aphorisms.  There are too many to recount, but a favorite, early on, is “Learning dance steps was the sorry Saturday night pursuit of every boardinghouse girl in America.”  And I couldn’t agree more with this sentiment: “No matter how much you think of yourself, no matter how long you’ve lived in Hollywood or Hyde Park, a brown Bentley is going to catch your eye.  There couldn’t be more than a few hundred of them in the world and every aspect is designed with envy in mind.”
Fashion photo by Hoyningen-Heune, 1938
Towles sets out a very metered pace and in a structured narrative.  It spans exactly one year, told in flashback.  Interestingly, Towles manages to withhold “how it all ends” despite the fact that he begins at the end.  Effectively, it shows the reader how “naive” we are, just as Katey is.  Also quite effective are the photographs by Walker Evans that mark sections of the book.  This series of subway candids reminds us easily read body language and facial expression is, particularly when our guard is down.  Washington’s Rules of Civility do not apply here.
As a setting – time and place – it is incredibly well-researched, but comfortably so.  It doesn’t feel forced or sound like it is name-dropping for effect.  There is only one portion of one chapter that falls flat.  The rest is as effervescent as a newly popped bottle of champagne.
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Many thanks to the folks at Viking/Penguin for the review copy.
Book: Hardcover 
5.98 x 9.01in 
352 pages 
ISBN 9780670022694 
26 Jul 2011
Viking Adult
18 – AND UP
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REVIEW: STORIES FOR THE NIGHTTIME AND SOME FOR THE DAY by Ben Loory

It’s a deceptive little book.  Not too thick; it’s compact and fits easily into your bag.  Just pull it out while you wait at the car wash or in the subway.  Something to pass the time.  
But that’s what it wants you to think.
Soon you will be swept away into dimensions where a TV set can write an opera, a man and a moose are good friends, and an octopus is named Harley.  Also, Harley likes to drink tea.  Yet it makes sense.  None of it is as fantastical as it sounds.  Author Ben Loory‘s tone and style are so matter-of-fact that the reader hardly blinks.  The stories are so darn sure of themselves that the reader doesn’t bother to question it.  
Author Loory, as enigmatic as his stories.
Loory has a few outings under his belt — he’s already appeared in The New Yorker, The Antioch Review,  Danse Macabre and dozens of others.  But something that sets these tales apart is a sense that they belong together.  Their style is simple and less wordy than previous stories.  Not that his writing is flowery by any means, but Stories… is different.  The characters don’t have names (well, except for the octopi, of course). They have little if any physical description.  They are only important as puppets or stick figures in a diorama. 
Author, screenwriter and host Rod Serling. 
They are generally unwitting pawns to a skewed universe. In fact, his stories are more like fables.  And many of them are very short – just a page or two.  But there is a mysterious world packed into those few words.  And like an episode of the classic Twilight Zone, a meaningful change of perspective that gives new context to the story just when it seems you have figured it out.  Yet there is no thin layer of American cheese that seems to appear in many of Serling’s episodes.  Loory’s tales are clear and simple.  And yet neither simple nor clear-cut.
Did I mention it is deceptive?
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Thank you to Lindsay and the folks at Penguin for the review copy.  This book is also a featured title in a series of original fiction called Penguin Makes Paperbacks.
ISBN 9780143119500 | 224 pages | 26 Jul 2011 | Penguin | 8.26 x 5.23in | 18 – AND UP 
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REVIEW: DEATH AT THE CHATEAU BREMONT by M.L. Longworth

Any lover of wine, cigars, and old world charm — as well as a good yarn — should read this mystery.  It poses no genre-defying questions,  and it really doesn’t really hold any gasp-enducing surprises.  But that’s ok, because it is the perfect hammock read for the summer.  Antione Verlaque is a slightly cranky, somewhat older, but not yet entirely jaded, magistrate of Aix-en-Provence.  When the heir of the local aristocracy turns up dead, he reluctantly begins an investigation.  What at first seemed like an accident turns out to have more mysterious circumstances.
A chateau in Provence
Longworth’s greatest strength lies in her ability to paint a picture of the setting.  The south of France is a locale most can only dream of visiting, let alone living in, and her descriptions are intoxicating.  The rhythm of daily life with cafes, tobacco shops, gardens, groves and jaunts to the sea are fabled, to be sure, and she makes them real for a modern reader. 
The cour Mirabeau, a main location in the novel
Longworth is also able to create realistic dialogue among her characters.  Verlaque has a complicated relationship with an ex-girlfriend, Marine Bonnet, but he must include her in the investigation.  Their awkwardness is palpable.  Bonnet’s best friend, Sylvie, is blunt, funny and outspoken (At times I wondered if she were named after Audrey Hepburn’s best friend in Charade).  These very distinct characters make for a fun jaunt of a murder mystery.
At some points, the mystery itself is a bit weak.  There are no holes, which is always a danger.  Still, the unraveling of the clues themselves is less exciting than her characters’ dinner parties.  The climax itself is one that can be seen coming a mile away and leaves the reader yelling at the characters, like a horror movie — “Don’t go in the basement! … Well, at least turn on the lights if you’re gonna do that!” But sometimes the fun is knowing a bit more than they do — “Well, if I were there…”  And who wouldn’t want to be in Provence?
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Many thanks to Gabrielle at Penguin for the review copy. 
Paperback, ISBN 9780143119524 | 320 pages | 28 Jun 2011 | Penguin | 8.26 x 5.23in | 18 – AND UP 
Author M. L. Longworth’s site.
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GIVEAWAY: Unknown by Didier Van Cauwelaert




The movie UNKNOWN comes out today!  It stars Liam Neeson, Aidan Quinn, January Jones, Diane Kruger, and Frank Langella.  Which brings up that ongoing debate — is the book really better than the movie?  With your very own copy of the book you can compare, make notes, wring your hands, or just enjoy.

Read my review of the book here.


How to win:

In the comments, please post your name, your email (in the following format to prevent spam [name at email dot com]) and what you would do to prove your identity if you had no ID or paperwork – just memories.  Contest ends February 24, 2011,  11:59pm EST.  Winner will be chosen at random from the entries.

What you win
The movie tie-in edition of UNKNOWN by Didier Van Cauwelaert, Previously published as Out of My Head, Translated from the French by Mark Polizzotti.
Good luck!
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QUICK REVIEW: Eiffel’s Tower by Jill Jonnes

And the World’s Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count


An enticing and engrossing snapshot of one of (if not the) most recognizable landmarks in the world.  Author Jonnes brings together all of the tidbits and urban legends you’ve heard – and several you haven’t – to illustrate a vibrant moment in history. 

When Gustav Eiffel suggested to the committee for the Internationale Exposition that the centerpiece should be a large, iron, skeletal tower, more than a few were unconvinced.  Notably, many public figures insisted the  structure would be hideous.  A few even suggested it would change weather pattens, crush homes in the area and act as a giant magnet, pulling nails out of walls and collapsing whole blocks of the city.

Jonnes also highlights some of the personalities surrounding the 1889 fair.  Buffalo Bill’s Wild West Show and Annie Oakley played to sold out shows daily, and became highly respected in Parisian society.  Thomas Edison showcased his voice recording machines, while the entire fair was lit by his light bulbs.  A temperamental James Gordon Bennett Jr. launched the Paris Herald, a very successful English newspaper for expatriates (like himself) and visitors to the fair.  Van Gogh and Whistler struggled to be seen. Paris was a wonderland, it seems, with a revival of arts, culture, ideas and science.

Jonnes’ carefully-researched book certainly makes one wish they could have see these wonders firsthand. 

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Read more about the author and her book here: http://www.jjonnes.com/index.html

Reviewer did not receive a review copy of this title.

Paperback: 368 pages
Publisher: Penguin (Non-Classics); Reprint edition (April 27, 2010)
Language: English
ISBN-10: 0143117297
ISBN-13: 978-0143117292
Product Dimensions: 8.3 x 5.4 x 0.9 inches

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    REVIEW: Unknown by Didier Van Cauwelaert

    Previously published as Out of My Head
    Translated from the French by Mark Polizzotti

    Without a number of artistic elements this would be nothing but a slapdash pulp action.  Fortunately, Van Cauwelaert brings pulp up several notches.   Plenty of action, a femme fatale and a sympathetic narrator make it pulpy.  But the writing is strong, confident and refined. 
    It’s told from the first-person perspective of Martin Harris, famed botanist, awakes from a coma after a taxi accident.  According to the cab driver, he’s been out for three days and she has been sitting with him, full of guilt.  She drives him home to his expensive flat, and they expect to never see each other again.  Harris is given a great shock, however, when he excitedly arrives at his front door, only to be met by someone else named Martin Harris and a wife who doesn’t recognize him.  Angered and confused, he sets out to prove his identity and determine who is trying to erase him.  
    Because the story is told from Harris’ point of view, we have of course a unreliable narrator, yet we believe him.  This is enhanced by a couple of things.  Firstly, Mark Polizzotti’s translated preserves the lively cadence of the language, yet avoids flowery phrasing.  Secondly, the author mirrors the the style of writing with Harris’ state of mind.  As he becomes more erratic, so does the narrative.  Settings jump around and conversations are truncated.  Thirdly, the details are rich but not overwhelming.  It was a small stroke of genius to make Harris a botanist rather than a retired cop or a physician.  His tangents into the world of botany are both cogent and humanizing. His observations become almost another character. 
    Kruger and Neeson on set
    The reveal is not nearly as fulfilling as the rest of the novel.  Still it is a very enjoyable read.  It has been made into a film, slated to release in February of 2011.  It stars Liam Neeson, Diane Kruger, January Jones, Aidan Quinn and Frank Langella.  It certainly has a pacing like Taken that should be a perfectly watchable movie.  I am curious to see how they integrate Harris’ inner thoughts, however.  It also seems the film was shot in Berlin, but the book takes place in Paris.  It is unclear where the film is supposed to be set at this point.  Following its release, a film review will be posted at http://acineastesview.blogspot.com.
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    Many thanks to Meghan at Viking/Penguin for the review copy (movie tie-in edition). 
    In keeping with the theme of the book, it seems there is no listing for it on the Penguin/Viking site. ISBN – 9780143119012
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    Thanks

    It has been just about a year now that I have been doing book reviews — and I’m having a blast.  I’d like to thank everyone who takes the time to read my reviews.  But mostly I’d like to thank those that read books, those who write the words that inspire us, those that work tirelessly to see the book on a shelf.

    And thank you to Penguin for being very supportive to a rookie reviewer.  Here’s to another year!

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    REVIEW: THE TRUTH-TELLER’S LIE by Sophie Hannah

    This gripping mystery from the UK is not for the faint of heart.  Naomi, the main protagonist, has endured the most unspeakable of personal horrors yet found a way to carry on.  So unspeakable that three years later her closest friends are still unaware of it.  That is until she becomes obsessed with finding her missing lover.  Further complicating her story is the fact that her lover is an unhappily-married man.  Knowing the police will be unlikely to look for him if she reveals herself to be the “other woman”, she lies about her relationship with him.  And thus begins a tenuous string of truth among lies, leading to the underlying reality.
    The novel alternates perspectives between Naomi and Detective Sargaent Charlie Zailer, the tomboy, hard boiled officer assigned to the case.  Their voices are the ones we hear as the bizarre tale unravels. Author Hannah has a natural, believable way of writing the female psyche — one that is refreshing in a book list burgeoning with immature narratives.  The characters are complicated and display questionable judgement, perhaps, but are not two-dimensional or predictable.  It stretches the psychological boundaries of first-person narrative, especially from a doubtful narrator.
    Author Sophie Hannah lives in Yorkshire, England.
    Also refreshing is the fact that the publisher/editor for the US did not alter the local flavor.  Characters use words that are only British, and they haven’t been watered down for the American reader.  It makes a true difference in the mood and style of the novel.  (For example, a holding cell is a “nick”.)
    As I mentioned, it is not for the faint of heart.  It is not gory, but it is disturbing and unsettling.  But it is so well-written that you want to keep reading.  Expect to be up late at night. This is a great book to start on a winter afternoon with a cup of hot chocolate, a warm fireplace and a cat for your lap.  I look forward to reading more from Sophie Hannah. 
    Thanks to Meghan at Viking/Penguin for the review copy.
    Book: Paperback | 5.43 x 8.07in | 400 pages | ISBN 9780143115854 | 28 Sep 2010 | Penguin | 18 – AND UP
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    REVIEW: The Girls of Murder City by Douglas Perry

    Fame, Lust, and the Beautiful Killers Who Inspired Chicago


    This book is absolutely as much fun as you think it is.  But what isn’t immediately obvious from the cover (and engrossing subtitle) is how very well-researched and detailed the tales of the recently liberated women of Chicago.  Perry delves into each murderess’ past with the nose of a bloodhound.  Drawing on newspaper clippings, quotes, letters and interviews, he sketches a transitional moment in time — a perfect storm of social upheaval.
    Each woman is given equal treatment, and is a sympathetic character if not innocent.  He is more interested in illustrating the conditions that brought about their crime rather than placing judgement on them.  After all, judgement was passed 80 years ago.  
    Maurine Waktins
    The most compelling character may be the cub reporter Maurine Watkins, a shy, pretty young girl from small town Indiana.  Her staunch Christian values were constantly foiled in the tumultuous 1920s. In a press interview, Perry says of Watkins, “That Maurine Watkins willingly embraced this professional ethos is astonishing.  As I mentioned, she was cripplingly shy. Se had trouble looking a man in the eye… In Chicago, she became fascinated with gangsters.  She even developed a crush on one.  She said that the ‘nicest man I men during the time I was doing newspaper work was supposed to be the toughest gunman in Chicago’s West Side.  He was like something you read about, such a charming courteous man’.” Watkins went on to pen the Broadway smash play Chicago (the Fosse musical would come years later, after her death) as well as William Powell / Myrna Loy films Libeled Lady and I Love You Again.


    Much to his credit, Perry also writes in a prose style that makes the action, drama and wit immediate.  There is nothing staid or dusty about this historical study.  Perhaps, like Maurine, we too are at once entranced by the lifestyle, and surprised at our own entrancement. 

    Book: Hardcover | 5.98 x 9.01in | 320 pages | ISBN 9780670021970 | 05 Aug 2010 | Viking Adult | 18 – AND UP  Viking Listing

    Thanks to Meghan and Gabrielle for the advance copy.
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    REVIEW: The Art Detective by Philip Mould

    Fakes, Frauds and Finds and the Search for Lost Treasures
    I could not have enjoyed reading this book more.  It is fresh, fast, and furiously entertaining.  If you need a summer read with some substance, look no further. Part Indiana Jones, part London academia, Mould shares tales of his years in portrait dealing with elegant charm.
    The Hampden Portrait of Elizabeth I, one of Mould’s finds.
    He leads off with a tale of a packrat who had amassed as many pieces of junk as he had treasures.  There is an aching sadness as both the narrator and reader realize how the collector’s life was consumed.  Thankfully, the extensive collection was salvaged and donated to SCAD in Savannah.  
    He also delves into the nail-biting world of research (yes, it is exciting), discovery and finally winning at auction.  Many hours are spent in dusty corners of libraries, scouring tidbits of information on the internet, and interogating other experts in the field — all to determine who put brush to canvas, who made that little smear of paint.  The answer can cost a collector millions of dollars, in either direction.  (It reminds an old soul like myself of the wonderful episode of the Dick Van Dyke Show when they go to auction to get ideas for an episode of the Alan Brady Show.)
    Dick Van Dyke & Mary Tyler Moore
    This book is great fun, and educational but refreshingly not didactic.  And Mould is quick to give credit to others in his gallery and in the field who are constant sources of assistance and perspective.  It’s rather like watching Antiques Roadshow UK (of which he is a appraisal member) — it’s more about the stories behind the art, and the people who love art, than the price tag associated with it.  
    Thanks to Meghan at Viking/Penguin for the review copy!
    Book: Hardcover | 5.51 x 8.26in | 272 pages | ISBN 9780670021857 | 10 Jun 2010 | Viking Adult | 18 – AND UP
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    GIVEAWAY: A 75th Birthday Celebration for Penguin

    One of the most famous publishing houses, Penguin, turns 75 years old TODAY.  Founder Allen Lane chose ten titles in 1935 and published them in England, complete with the stamp of that cute little black and white bird.  By 1937, they set up shop in Holy Trinity Church Crypt in New York City.  



    Make sure you check out their anniversary website which is full of fun photos, cover art, and even a way to follow that orange Mini.  www.penguin75.com

    So to help them celebrate (and because I love the cheeky little penguin) I am giving away TWO books.  Since this is a milestone for Penguin, I thought I’d make it a sort of past-meets-present-sister-act.

    You can win a copy of WUTHERING HEIGHTS by Emily Bronte and a copy of THE EYRE AFFAIR by Jasper Fforde (based, of course, on characters created by Charlotte Bronte).

     

    All you have to do to enter to win these fantastic literary pieces is:

    1) Wish Happy 75th Birthday to Penguin on your Facebook or on Twitter with a link to this post
    2) In the comment section for this post, put your name, email and a link to the post you made (see #1).

    That’s it!  I will announce the winner one week from today, Friday, August 6.  Happy Reading.

    Many thanks to Lindsay at Penguin for providing the titles for giveaway.

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    GIVEAWAY & CONTEST – The Quickening Maze

    The fine folks at Penguin (via Viking) sent me an extra copy of this interesting novel (my review is here).  So if you would like to win this fine tome, here is what you do:

    In the COMMENT section below:

    1)  Tell me about a time you were lost – literally or figuratively – in 100 words or less.

    2) Leave your first name and email address in the following format: your.email (at) domain dot com

    3) Link to this post (after you’ve written your comment) either on your Facebook page or via Twitter.

    The winner will be announced one week from today — Monday, August 2, 2010.

    Thanks to Meghan Fallon at Viking / Penguin
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    THE BOOK OF FIRES


    Jane Borodale’s first novel, THE BOOK OF FIRES, is a vivid portrait of 1750s England.  The heroine, Agnes Trussel, leads the reader from countryside squalor to a sooty, bustling London.  Part of a large family, struggling to even survive, Agnes clearly stands out from her siblings.  Her interior thoughts, expertly drawn in present tense, add insight and immediacy to the tale.  Finding herself at a crossroads, the teenage Agnes leaves the only place she has ever known via a wagon bound for London.  Relying partially on the kindness of strangers, but mostly on her own wits, Agnes arrives wet, bedraggled and desperate on the steps of a gruff man’s home, in answer a “housemaid wanted” sign in his window.  But instead of emplying her with household duties, Mr. Blacklock starts to teach her about the basic ingredients of fireworks.
    Borodale’s descriptions, through Agnes’ eyes, are almost those of a synesthete.  Acrid smells intermingle with hues and textures and bring to life a gritty, difficult reality.  The writing is fresh and precise.  She strikes a balance between exposition and story that is seemingly rare among historical fiction authors.  Borodale uses an economy of language while still evoking the style of the time.
    Still, the reader will have to employ some suspension of disbelief to fully enter the world which Agnes inhabits.  Her acceptance into apprenticeship at a fireworks shop is fitting to her personality, if not entirely plausible.  This is offset by the other details of class distinctions, and the unlikely ways in which they cross over.  For example, the evening when Agnes gets to view her first fireworks display at a high society party is especially touching.  The reader too has spent hours at the work bench with Agnes and is anxious to see the fruits of her labor.
    This book is layered, very readable and will be particularly enjoyable to young teenage women and is an excellent foray into the world of fiction for this new novelist. 
    Book: Hardcover | 5.98 x 9.01in | 368 pages | ISBN 9780670021062 | 21 Jan 2010 | Viking Adult | 18 – AND UP

    More information: http://us.penguingroup.com/nf/Search/QuickSearchProc/1,,Author_1000075257,00.html
    Posted in books, cineastes bookshelf, review | Tagged , , , , , , , | 1 Comment

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