Tag Archives: HarperCollins

REVIEW: THE ACCURSED by Joyce Carol Oates

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Joyce Carol Oates is often heralded as the Queen of American Gothic, at least of modern days writers.  Recently she has focused her efforts on short stories and editing collections of others’ short stories.  This offering is a hefty novel that she began working on nearly 30 years ago while living near Princeton, NJ.

Set in 1905, on the campus of the storied Ivy League campus, the narrative bounces between its privileged residents.  Woodrow Wilson is president of the college (not yet president of the US) and he is dealing with rival administrator Andrew West.    Excerpts of the diary of Mrs. Adelaide McLean Burr (related to Aaron Burr) reveal a troubled woman whose view on the strange events is unlikely to be trustworthy.  The actions of Upton Sinclair intersperse the chapters.  But the main characters are Josiah and Annabel Slade.  The brother and sister seem to be at the center of bizarre happenings in the area.

Oates (barely) advances the story with vague, uneasy scenes like these:

Though the men certainly could not have been described as struggling together, in any sense of the phrase, it somehow happened that, as Winslow Slade sought to take hold of Woodrow Wilson’s (flailing) arm, to calm him, the younger man shrank from him as if in fright; causing the jade snuffbox to slip from his fingers onto a tabletop, and a cloud of aged snuff was released, of such surprising potency both men began to sneeze; very muh as if a malevolent spirit had escaped from the little box.

Unexpectedly then, both Woodrow Wilson and Winslow Slade suffered fits of helpless sneezing, until they could scarcely breathe, and their eyes brimmed with tears, and their hearts pounded with a lurid beat eager to burst.

And the austere old grandfather clock against a farther wall softly chimed the surprising hour of one — unheard.   Pg. 44

The book is just under 700 pages long and it is slow going.  I slogged through it, in hopes that once the complex background of characters is set that something would happen.  Instead there are only the occasional references to something happening somewhere else.  Still, I was determined to finish the book.  Perhaps there would be an amazing twist that would bring it all into focus.  But on page 321, I understood what Dorothy Parker meant when she said “This is not a book to be tossed aside lightly — it should be thrown with great force.”  Two characters are having an exchange about deductive reasoning and Sherlock Holmes is discussed.  As a Holmes fanatic, I was pretty excited.  Then this happened….

“Recall, the ‘mysterious behavior’ of the Hound of the Baskervilles, that did not bark as it might have been expected to bark?  In this case, the Wilsons’ portly greyhound Hannibal — (which the undergraduates call ‘Box-on-Legs) — behaved in a more conventional canine fashion by howling inexplicably — and very loudly — in the night, upon several occasions just last week.”  Pg. 321

What is known as the “curious incident of the dog in the night-time” is NOT from The Hound of the Baskervilles.  It is from “Silver Blaze.”  The stablemaster John Straker is known to the dog and therefore does not bark, despite the horseman’s nefarious plans.  Just to make sure that this would not become character flaw that is pointed out later, I gritted my teeth and read on.  To no avail.  I read about another 20 pages, but I couldn’t justify reading any more of it when there are just so many books in my TBR pile.

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As the Queen of the Modern Gothic, Oates should have known better.  And if she didn’t, her editors should have caught it.  I suppose there is a slight chance that the character is corrected later — and if anyone who has read it knows, please leave a comment.

Otherwise, I say skip this one.

Many thanks to Ecco for the review copy.
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ISBN: 9780062231703
ISBN10: 0062231707
Imprint: Ecco
On Sale: 3/5/2013
Format: Hardcover
Trimsize: 6 x 9
Pages: 688
$27.99
Ages: 18 and Up

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REVIEW: THE GOLEM AND THE JINNI by Helene Wecker

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In the turn-of-the-century New York City, a Syrian tinsmith names Arbeely is repairing a copper flask, when he unwittingly releases a jinni.  The spirit has been captive an untold number of decades, unable to enjoy the freedom he once enjoyed.  The tinsmith, stunned, takes in the wayward jinni.  He gives him a cot and the name Saleh.

In the meantime, a golem without a master walks ashore.  She can hear the thoughts of those around her, and in the tenements of Lower Manhattan there is plenty of desperation to be heard.  A wise Rabbi Meyer sees the wandering golem and invites her in to his small room, giving her the name Chava.

The two supernatural creatures are adrift in the overwhelming city.  Not only are they at the same crossroads as any other immigrant in America, they are also attempting to navigate it trapped in a human form.  The two have separate narratives that eventually meet and intermingle.  They bond over their similarities, but still struggle with how very alone in the world they are.

The Jinni walked north along Washington Street, wondering if he’d ever be truly alone again.  At times the desert had felt too empty for him, but this opposite extreme was harder to bear.  The street was no less crowded than the coffeehouse had been.  Families thronged the sidewalks, all taking advantage of the warm weekend afternoon.  And where there were not humans there were horses, a standstill parade of them, each attached to a cart, each cart carrying a man, each man yelling at the others to clear out of his way — all in a myriad of languages that the Jinni had never before heard but nonetheless comprehended, and now he was coming to resent his own seemingly inexhaustible resources of understanding.  ~Pg. 102

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They each become important members of their community, despite their insecurities.  Saleh is noted for his incredible metalsmithing skills and fine artistry.  Chava works in a Jewish bakery, kneading at superhuman speed.  They have found some purpose in their jobs, yet something is still missing.

The book alternates between narratives and is interspersed with an even more ancient story from the Jinni’s past.  In fact, this depth makes Saleh’s “side” of the story much more compelling than Chava’s.  I found his character complicated but deliciously so.  Chava was sympathetic but less interesting.

The novel also could have been about 75 pages shorter.  At times the narrative slows too much.  The lull lasts long enough for the reader to second guess himself.

The Golem and the Jinni will be a good read for a lazy summer day.

Many thanks to HarperCollins for the review copy.

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ISBN: 9780062110831
ISBN10: 0062110837
Imprint: Harper
On Sale: 4/23/2013
Format: Hardcover
Trimsize: 6 x 9
Pages: 496; $26.99
Ages: 18 and Up

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REVIEW: LADY AT THE O.K. CORRAL by Ann Kirschner

OkCorralI must admit – I never knew that Wyatt Earp was married.  He was, by most accounts, a dashing and magnetic man.  But for every larger-than-life aspect of his legend, there was Josephine (Marcus) Earp.

Daughter of a Jewish family, she struggled to find her own identity in Victorian Era America.  When one could not be found, she invented it.  Never well-off, her family moved from NY to San Francisco.  According to Kirschner, “rate wars between rival railroads and steamship companies made it actually cheaper for some families to move than to pay the rent.” It was this exotic, West Coast port city that was a springboard for her coming adventures.  Drawn to the west by the promise of fame and fortune, Josephine joined a travelling dance troupe.   The act led her to Tombstone, AZ, then a mining boom town, grown up from the silver claims nearby.

A Young Wyatt Earp
A Young Wyatt EarpJosephine Marcus EarpJosephine Marcus Earp

Kirschner’s biography is gives only a cursory glance to the shootout at the O.K. Corral and  Wyatt’s time in Tombstone.  The main crux of the book is their life after Tombstone.   Though the two were never married in a formal ceremony, they were inseparable for almost 50 years.  A good chunk of the narrative is spent during their frontier days in Alaska during the Gold Rush.   It seems these were some of her happiest days — at least her most enjoyable.

The inhospitable climate and smallness of the town loosened everyone up.  Their bulky cold-weather clothes were a source of amusement, as well as a great equalizer.  Josephine mockingly compared their exuberant and casual parties to a formal cotillion: ‘Have you not a picture in your mind of several couples with powdered wigs, the men in velvet coats and satin breeches, the women in full-hooped and panniered gowns, moving through the stately measures of a minuet with courtly grace to the accompaniment of violins and harpsichord?  Then banish it!  Put in its place one of the strong men in mackinaws, corduroys and mukluks, and fair ladies in corduroy jackets, short skirts and — yes mukluks — but moving through the stately measure of the dance with courtly grace to the accompaniment of a violin and a banjo!’  ~Pg. 101

These insights into frontier life are priceless.  It is in these moments that their legend comes to life.  At other times, the book becomes a litany of who went where and when, with little in the way of in depth context.  The last third is devoted to Josephine’s increasingly futile attempts to shape history’s memory of Wyatt Earp and the shootout at the O.K. Corral.

It is overall an engaging book on an important character in American history who has been all but forgotten — partially because Josephine was constantly obscuring her own past.  Kirschner does an excellent job of unearthing clues and piecing together Mrs. Earp’s story.

Many thanks to the folks at HarperCollins for the review copy.
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ISBN: 9780061864506
ISBN10: 0061864501
Imprint: Harper
On Sale: 3/5/2013
Format: Hardcover
Trimsize: 6 x 9
Pages: 304; $27.99
Ages: 18 and Up

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REVIEW: THE REAL JANE AUSTEN by Paula Byrne

Real Jane Austen

Frustratingly little is known about Jane Austen.  We don’t know what she looked like.  There is only one drawing of her, as a youth, that is considered to be a portrait, but even some scholars don’t accept that.

In time for Jane Austen’s bicentennial year, Paula Byrne has put together a compilation of her life.  Byrne chooses to inspect the famed writer’s past by sifting through objects in her life.  It is almost like a scrapbook of the Austen family.

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Each “thing” is an aspect of Jane’s life, and launches the chapter’s topic.  ”The Card Of Lace” outlines a somewhat famous incident involving her aunt, Mrs. Leigh-Parrot’s shoplifting trial.  But the chapter is really about Jane’s days in Bath and about the relationship with these wealthy-if-erratic relatives.

One of my favorite chapters is based on “The Theatrical Scenes”.  When Rev. Austen determined to move his family from the Steventon parsonage, nearly all of its contents were placed up for auction.  Though undoubtedly distressing for the Austen family, there is a great deal of information embedded in the ad in the local paper.  Among the usual furnishings are listed a “set of theatrical scenes etc. etc.” With this tidbit, Byrne expands on the probable family dynamic as regards plays and recitals.  From there, she further explores the idea of theatre in England at the time.

Another chapter begins with Jane’s brother’s military cap, and goes on to explore the siblings’ relationship as well as how military lives affected families of the era.  Yet another focuses on a shawl and its representation of trade with the East.  Throughout all of these examples, Byrne ties in passages and characters in Austen’s novels, showing how the author would have been inspired by what was around her.

RealJane_ab_1_xii_1_386.pdf

Byrne’ research is impeccable.  If there was anything to be found on Austen, she found it.  And she was smart to structure the biography as she did — rather than a chronological effort.  But because of the lack of direct information about Austen, the book is unfortunately peppered with holes.  Byrne often leaves parenthetical notes such as “All letters from 1806 are gone”.  The phrasing of her subject also includes distancing with caveats like “it is probable that” or “we can assume that”.  While these are of course the right thing to do from an academic standpoint, it does waterdown the connection the reader has with Austen.  With Byrne’s book on Evelyn Waugh, the reader is swept away by Waugh’s personality and fast-paced life.  I hardly noticed I was reading a biography.  In  this, there is still a bit of distance between us and understanding Jane Austen.  Byrne does her best to help us bridge that gap.

Thanks to the kind people at Harper for the review copy.
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ISBN: 9780061999093
ISBN10: 0061999091
Imprint: Harper
On Sale: 1/29/2013
Format: Hardcover
Trimsize: 6 x 9
Pages: 400; $29.99
Ages: 18 and Up

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REVIEW: JUNGLELAND by Christopher S. Stewart

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Stewart’s travelogue is as addicting as the tales of the lost city itself.  A freelance writer from Brooklyn, Stewart heard about Ciudad Blanca during an interview with a US solider who had endured the Honduran jungle.  Like many who hear stories of far-flung secrets, Stewart was hooked.  He scoured satellite images from Google Earth, questioned anyone who is an expert in the field and even contacted relatives of explorer Theodore Ambrose Morde, who searched for the city swallowed by the Honduran jungle back in late 1939 and most of 1940.

In this book, Stewart juxtaposes his own travels and travails with Morde’s.  Morde kept a fairly consistent journal — though he maddeningly left out coordinates to the actual city — and with these constant comparisons one realizes just how little has changed in the past 70 years on the Mosquito Coast.  It is still miles and miles between villages, sometimes individual shacks.  It is a wonder that people live there at all.

Morde returned to America a hero, having claimed to have found a city that he would one day return to excavate and explore.  Then WWII began and he was recruited as a spy.  He never got back to the magical place in the jungle mist.  And he was always rather vague about what he saw.  So what was Cuidad Blanca?

For Stewart’s part, he embraces his own weaknesses and does nothing to gloss over his own fears and doubts in the maddening trek.  He is perfectly willing to share his own failings in his own journal of sorts.  At times the jungle puts him on the brink of madness; at others it offers a clarity in which he can see things perfectly for the first time.

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Photo by the author, Christopher S. Stewart

This is a detective story and an adventure in one.  Stewart tries to unravel Morde’s cryptic clues while survive days upon days of humid, rugged terrain, dangerous bandits, poisonous wildlife and mental struggles.

The legend of the “white city” hasn’t lost any attention either.  Just this summer, a piece was published about laser imagery finding the remains of the city.  It says a great deal about human nature, as does Stewart’s book.  The inkling inside each of us to explore and find “discover” something that was unknown, or lost — Atlantis, the Library of Alexandria, or the Holy Grail — and not just for wealth and fame.  To be the one who did it, who accomplished something considering impossible.

This is a fascinating read and it’s got me wanting to go dig up by backyard.  Just to see…

Thank you to HarperCollins for the review copy.
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ISBN: 9780061802546
ISBN10: 0061802549
Imprint: Harper
On Sale: 1/8/2013
Format: Hardcover
Trimsize: 6 x 9
Pages: 288; $27.99
Ages: 18 and Up

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READ-ALONG: THE PASSING BELLS by Phillip Rock

PassingBells

 

If you are as anxious for the series premiere of Downton Abbey as I am, then you know what it is to be captivated by good writing.

Fill those dreary hours, waiting for the return of the Grantham household and the Dowager Countess’s quips by joining the Passing Bells trilogy read-along, hosted by bookclubgirl.

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And thank you to HarperCollins for the review copy so I can read along too!

 

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REVIEW: STRONG POISON by Dorothy L. Sayers

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I’m ashamed to say this was the first Sayers novel I have read.  I can’t imagine why, other than I assumed them to be like Agatha Christie and there were already so many of hers to read.  And I don’t remember my childhood library having any of her books, (they may have) but there was a endless row of black-bound, gold-embossed Christie titles.  So with these rereleases I decided to turn a new leaf as well and include her mysteries.

Strong Poison is a Lord Peter Wimsey mystery, featuring Harriet Vane.  Based on her character it appears that there were more later.  Wimsey (as suggested by his name) is the kind of person who goes where the wind takes him.  As a friend of barristers and with a particular penchant for sitting in on trials, Wimsey takes it upon himself to solve a confusing case.  Harriet Vane, a crime novelist, has been accused of poisoning her fiancé, but Wimsey is unconvinced. While the trial is on hold, he investigates his hunches.

The author, Dorothy L. Sayers
The author, Dorothy L. Sayers

Wimsey and the tale are a blend of Nero Wolfe and Jeeves and Wooster.  In the heady of days of the Bright Young Things, where it seems nothing can touch the sparkling upper echelons of society, Lord Peter amuses himself among the working class.  His character at first seems selfish and flighty, but although he wants to occupy his time, he truly does believe in her innocence and wants to see her acquitted.

The prose is light and playful, and glides along over the marbled halls of justice and entryways of grand houses.  The dialogue, too, reflects this whimsical time.

“You don’t mean to say you admired her, Frank?”
“Oh, well, I dunno.  But she didn’t look to me like a murderess.”
“And how do you know what a murderess looks like?  Have you ever met one?”
“Well, I’ve seen them at Madame Tussaud’s.”
“Oh, wax-works.  Everybody looks like a murderer in a wax-works.”             ~Pg. 33

And no good detective is anywhere without his sidekick.  Lord Peter Wimsey has his invaluable valet, Mr. Bunter.

By what ingratiating means Mr. Bunter had contrived to turn the delivery of a note into the acceptance of an invitation to tea was best known only to himself.  At half-past four on the day which ended to cheerfully for Lord Peter, he was seated in the kitchen of Mr. Urquart’s house, toasting crumpets.  He had been trained to a great pitch of dexterity in the preparation of crumpets and if he was somewhat lavish is the matter of butter, that hurt nobody except Mr. Urquart.      ~Pg. 101

The book is jaunty and fast-paced.  Readers who enjoy quick, fluid cozies, should snuggle up with a cup of tea and give it a read.

Thank you so much to Regina at Bourbon Street Books / HarperCollins for the review copy.
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ISBN: 9780062196200
ISBN10: 0062196200
Imprint: Harper Paperbacks
On Sale: 10/16/2012
Format: Trade PB
Trimsize: 5 5/16 x 8
Pages: 288; $14.99
Ages: 18 and Up

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REVIEW: THE GRAND TOUR – AROUND THE WORLD WITH THE QUEEN OF MYSTERY by Agatha Christie

 

Perhaps it comes as no surprise that this book is a wonderful window into an era past.  Like Agatha Christie’s autobiography, the book is comprised of her life in her own words. Her grandson Mathew Prichard has painstakingly gathered her letters and postcards from her trip to a countries in the Dominion.  She and her (first) husband were invited to accompany a Mr. Bates, Major Blecher and the Hiam family as part of a special envoy.  They were acting as part of what was called the Dominion Mission of the British Empire Exhibition.

The exhibition itself was held in 1924-25 at Wembeley, which at the time, was the largest exhibition ever held.  This merry party set out ahead of the exhibition to visit the various countries that would be presenting.  Their stops included South Africa, Australia, New Zealand, Honolulu and Canada.   And a young, adventurous Agatha relished every moment of it.

She took a number of photographs (many of which have been printed in this book) as well as sending home letters and notes about her travels.  She also kept a diary of her exploits abroad.  These writings were well before those that would make her famous, but her sharp sense of humor is well in evidence.

Belcher is becoming very irritable.  I don’t wonder really for his leg and foot are quite bad, bursting out in new places.  The doctor says he must lie up and rest it, and he says he can’t afford the time.  Bates had forgotten to get him more carbolic, and he’d had a tight boot on all day, the food in the hotel was atrocious, and the doctor has cut hum down to one whiskey and soda a meal, so matters nearly reached a climax last night!  Also, he is getting very fed up with Major Featherston, who attaches himself to Belcher like a faithful dog, and comes up at all house of the day and night.   ~Pg. 64

And later, Agatha assists in a funny and harmless prank.

She also takes up surfing, something that isn’t the first thing you might think of in association with the writer of Miss Marple and Hercule Poirot.

Agatha and Ashby take up surfing.

Interspersed in all of this fun and adventure, there are insights into her personal life.  She left her young son at home in the capable hands of her nanny and her mother.  There are also glimpses of a certain level of discontent with her husband Archie.

Bates, Belcher, Archie & Agatha at a hot springs pool in Banff, Canada, near the end of the tour.

In addition to being of interest to literary fans, it is also an important record of the Golden Age of Travel and the reach of the British Empire between the wars.  The idea that one could leave home for more than a year, and spend a month or two in one place is a level of luxury that is rarely available any more, but was somewhat common then.  I’m not sure I will ever cease being fascinated with such a lifestyle.

In short, this book is a wonderful glimpse into the past, at one of the most prolific writer’s private life, and into the wit of a seemingly lovely lady.

Many thanks to the folks at HarperCollins for the review copy, and for sending images for inclusion in this post.
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ISBN: 9780062191225
ISBN10: 0062191225
Imprint: Harper
On Sale: 11/20/2012
Format: Hardcover
Trimsize: 7 x 9 1/8
Pages: 384; $29.99
Ages: 18 and Up

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REVIEW: THE UNSEEN by Katherine Webb

This is the first novel I have read by Ms. Webb but when she started with an epigraph page with quotes from William Wordsworth, Sir Arthur Conan Doyle and Rudolph Steiner, I knew I was in for a well-wrought story.  She certainly knows her literary stuff.

The novel straddles the span of a century — 1911 & 2011.  A young journalist is asked to find information about a WWI soldier whose body has just been found.  With just a couple of letters found with the soldier, she begins her search.  In the alternate world, Cat Morley is just starting her new job as a maid at Cold Ash Rectory.  The Reverend Albert Canning and his wife Hester hire the unfortunate girl as a sort of mission or kindness.  Their relationship is awkward, at best, and made even more strained when a Mr. Robin Durrant enters the picture.  A theosophist of great repute, the Reverend seeks to impress him with his own stories of fairies and elementals.  The two feed off one another’s arrogance and delusion.

A home in present day Cold Ash, Berkshire, England

The book is written in present tense, a style I usually don’t find readable.  However, Webb manages it well.  Descriptions are still rich and not the usual clipped, terse style of present tense writing.  Additionally, because it is contemporaneous, we the reader do not know that the narrator will “be alright”.  It adds dramatic tension and brings the reader closer to the action.

It is nowhere near lunch time when a smart knock at the door jolts Cat from her reverie.  She has been distracted all morning, her gaze wandering far and away through the hall window that she’s supposed to be polishing with ball of old newspaper.  Thoughts of George Hobson tease her mind away from work.  She saw him again last night, drank enough beer with him to make her head spin and her insides glow.  Now her head is spinning still, and her stomach feels weak, and a slow throb of pain has taken to beating behind her eyes.  Fatigue makes hr limbs heavy and her thoughts slow.  Even this early in the day the air is warm, and a mist of sweat salts her top lip. When the door knocker forces her to move she turns, catching sight of herself in a heavy-framed mirror on the wall.       ~Pg. 113

Cat is a complicated heroine.  She is both mature for her age and forced to deal with things far too young.  She is a free spirit trapped in a less than forgiving world.  She is likable but far from perfect.  Still, the reader is happy to root for her as she attempts to navigate the complicated household.

Webb also gives due to Charlotte Bronte’s Jane Eyre and her madwoman in the attic.  Jane’s terror when she is locked in the Red Room at Mrs Reed’s is as palpable. One of Cat’s worst fears is realized when she is locked in her room.

She hurls herself at the door, scrabbling at the wood, heedless of the splinters that drive themselves beneath her fingernails.  She points her fists against it, feels the shock of each blow rattle her bones.  But the door does not yield.

Hester, on the floor below, lies sleepless and alone in her bed. … Hester shuts her eyes and puts the pillow over her head, but she can’t block out the girl’s distress completely.  She has no choice but to hear it, and finds in it, as the night progresses, an echo of feelings deep inside her own heart.                   ~ Pg. 326

The reader can’t help but recall Jane’s own sleepless nights as Bertha Rochester haunted Thornfield.

One final, though rather picky, note.  The cover of this book does not match the book itself.  I know we’re not supposed to judge a book by its cover, but one does.  This cover looks like a YA romance, rather than an Edwardian-set mystery.  I just found it confusing.

All in all, The Unseen is a well-written, enjoyable book.  It would be a perfect summer read, especially on a thunderstorming afternoon.

Many thanks to William Morrow for the review copy.
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ISBN: 9780062077882
ISBN10: 0062077880
Imprint: William Morrow Paperbacks
On Sale: 5/22/2012
Format: Trade PB
Trimsize: 5 5/16 x 8
Pages: 464; $14.99; Ages: 18 and Up

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REVIEW: THE UNINVITED GUESTS by Sadie Jones

from Harper Collins

It is an unusual book to be sure.  I can’t think of when I’ve read something that reminds me of numerous other books or stories and at the same time is entirely unlike anything else.  It’s a slippery eel of a novel.

My attempt at a summary will be inept at best and confusing at worst, but I’ll try to sketch it out a bit.  The Torrington-Swift family consists of Mother (Charlotte), second husband and step-father (Edward), and children (Emerald, Clovis and Smudge).  The book opens as Edward is leaving for Manchester in attempt to secure a loan that will allow the family to remain on their beloved (though not inherited or entailed) estate, Sterne.  It seems the family fortunes, like many of the upper-middle class and landed gentry’s during the interwar years, are fading if not crashing.  Shortly after Edward’s departure cousins arrive for Emerald’s birthday (though not in the combination she had hoped for).  Then they receive word that a train has derailed near them and would they be so kind as to house the poor souls until the Railway can send for them?  Thus begins a strange and unpredictable night at Sterne.

An English Country House in Hawes Upper Wensleydale

Emerald’s birthday party plans quickly unravel as the house becomes overrun with bedraggled, hungry travelers.  But much like the English society of the time, a somewhat absurd attempt is made to maintain protocol — no doubt part of Jones’ complicated allegory.  Indeed the “old” is often at odds with the “new”, or at the very least continually juxtaposed.

The yews had been meant for a hedge and cultivated as one for perhaps two hundred years but had run sluggishly away with themselves and, neglected, they formed a misshapen lumbering procession.  They were wrinkles of dense growth.  They were resinous twisted towers with pockets like witches’ huts hidden within their vastness for playing or hiding.   Pg. 6.

Yet inside the house, a much more modern scene is unfolding…

Emerald, passing the morning room on her way to Mrs. Trieves, came upon Clovis, lying crumpled before the fire and listlessly plucking at the edges of a newspaper.  The spaniels Nell and Lucy reclined on the battered velvet chaise near to him, lifting snuffy noses in her direction as she stopped in the door.  Pg. 14

Generational gaps, class differences and the sacrifices one makes to bridge them are continually touched upon.  In this way, I was at turns reminded of Downton Abbey, PG Wodehouse, and I Capture the Castle.  It can be wickedly funny and distinctly sharp at the same time.  There is also an undertone (and sometimes overlay) of the supernatural.  It is reflective of The Twilight Zone, Shirley Jackson and Emlyn Williams.  The guests vacillate between  wandering zombie-like and acting as subtle oracles.
And when the slick Mr. Traversham-Beechers emerges from the pack things really get unsettling.  He is like Mephistopheles or Old Scratch, come to suggest and infiltrate.

He darted to the sideboard, took a clean glass.  Then, choosing with care, he opened a new decanter, one of port and poured the dark liquid until it quivered, swollen, at the top of the glass.  The party were mesmerized.  The sounds of singing seeped under the door, curling like smoke about them as they watched. Pg. 163

The book’s uncanniness is quickly addictive.  Just when it seems to find a tack, it changes direction again.  Various scenes come in and out of focus and the author manages to demonstrate contemporaneous events very well.  A very enjoyably out-of-body experience.

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Many thanks to the folks at HarperCollins for the review copy.

ISBN: 9780062116505
ISBN10: 0062116509
Imprint: Harper
On Sale: 5/1/2012
Format: Hardcover
Trimsize: 6 x 9
Pages: 272
$24.99
Ages: 18 and Up

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REVIEW: THE FACE THIEF by Eli Gottlieb

This was one of those books that just appeared, unsolicited, in my mailbox.  While I always give those surprise titles a glance, I usually don’t have time to read and review them in addition to the ones I’ve already committed to.  Add to that my suspicion of modern novels and it’s strange that I even ended up reading it.

I suppose I mention this only because I’m still reeling from how I was sucked into it.

An interchangeable hotel conference room, rather like the one Lawrence presents in.

The story revolves around a brilliant con-woman and her marks, but it is more than cat-and-mouse game.  Multiple narratives twist together to form a story of identity and suspense.  Various points-of-view overlap and slowly a clear picture comes into focus.  Each narrator has its own voice, yet the author’s style remains clear.  And although each narrator is unreliable in its own way, the reader can begin to piece together the truth.  Of course, there are still come unanswered philosophical questions for the reader to answer for themselves.

The writing is fresh without being forced.  Here are a couple of excerpts:

With a peculiar copper taste in his mouth, he took the elevator back down and walked back through the lobby.  He felt like a figure in an illustration manual.  Slumping nearly in tears on a bench in front of the building, he again dialed Cas, who picked up on the first ring.
pg. 56

In the dark, the house with its tall peaked roof resembles a witch’s hat.  The windows were covered with frilly sheers and the driveway was a humped pour of macadam that glistened in the streetlight like a pair of new shoes.  To the letter, it was the kind of tidy working-class home that she had staked her entire life avoiding.
pg. 195

 This book is solidly literary and yet delightfully sensational.  Gottlieb takes a simple idea and explores it from multiple angles, bringing life to various points of view and taking the reader on a psychological adventure.

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Many thanks to the folks at HarperCollins for the review copy.  Visit the author’s site.

ISBN: 9780061735059
Imprint: William Morrow
On Sale: 1/17/2012
Format: Hardcover
Trimsize: 5 1/2 x 8 1/4
Pages: 256
$24.99; Ages: 18 and Up

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REVIEW: THE DOLL by Daphne du Maurier

The Lost Short Stories

These tales written very early in her career (1926-1932), long before Rebecca.  Some were published much later, some not at all.  It’s fascinating to see the writer she would become taking shape in these early stories.  Sometimes they style is slightly more simplistic as though they were first drafts or rough sketches.  What always comes through, however, is her exploration of the human psyche — both of her characters and the reader.  She reveals only just so much, leaving the reader to fill in the blanks.  But rest assured, we land just where du Maurier leads us.  Somehow we now the darkened path, the frightening staircase will lead us down but we can’t stop reading.
du Maurier on the stairs of her beloved home, Menabilly
Another theme that du Maurier employs in her stories that transfers to the reader is a sense of emptiness. The Doll tracks the slow descent to madness through “found” pages of a diary.  A man chases an elusive woman, named Rebecca (naturally).  She is described as cold, heartless vacant.  To the narrator she is a doll.  Perfection is in construction but absent of feeling or soul.  But Rebecca’s fickle nature drives the narrator mad.  And Now To God The Father displays her distinct distrust of organized religion.  Frustration reads like a novice’s attempt at an O. Henry ironic fable.  Tame Cat is entirely unsettling just like we expect du Maurier should be.  By writing from the point-of-view of an incredibly naive narrator, the reader is able to withhold judgement until the awful truth cannot be denied.  Nothing Hurts For Long are the interior thoughts of a two-faced, fair weather “friend.”  Weekend is bitingly realistic and darkly funny.  Within a few short pages, she has traced the evolution of a relationship, albeit cynically.
All of the stories poke at our idea of normal, challenging what is comfortable.  This is unsurprising, knowing the little we do about her unconventional upbringing.  Her grandfather was George du Maurier, author of the wildly popular Trilby.  Daphne was also cousin to the Llewelyn Davies boys, who ultimately inspired J. M. Barrie to write Peter Pan.  Psychologically unnerving and yet somehow of a parallel universe, The Doll will resonate with fans of Jamaica Inn, Don’t Look Now (aka Not After Midnight), Rebecca, and The Scapegoat.  
Also read a great article in The Telegraph.
Many thanks to the folks at William Morrow / HarperCollins for the review copy.
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ISBN: 9780062080349
Imprint: William Morrow Paperbacks
On Sale: 11/22/2011
Format: Trade PB
Trimsize: 5 5/16 x 8
Pages: 224; $14.99
Ages: 18 and Up
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REVIEW: THE STARLITE DRIVE-IN by Marjorie Reynolds

Set in 1950s rural Indiana, this debut novel is told from the first-person by Callie Anne, primarily in flash back.  Now an adult, she is drawn back to the summer she turned 11.  Her memories are recalled in the mindset of a child who now has an adult perspective.  
Her father is the manager and projectionist at the drive-in theatre — king of his small, dusty domain.  Her mother is a agoraphobic, but determined homemaker.  Their predictable if dreary lives are turned upside down when Memphis is hired to help at the theatre.  Officially, he is there to do odd jobs like repair the concessions stand and repaint outbuildings.  Unofficially, he befriends Callie and her mother.  It quickly becomes clear to him that their living situation is an abusive and repressive one and he vows to help them escape.  
One thing Reynolds is very adept at conveying is a complicated relationship.  Callie Anne, still a young girl, looks up to her father, despite his temper.  The two spend hours in the projection booth, watching reels and reciting lines from their favorite movies.  Yet she finds his tyranny stifling.  Callie Anne is as much of a parent to her mother as her mother is to her.  She keeps a lid on things, for the most part, and does all the things in the outside world that her mother can’t.  Memphis complicates this balance, but there is no going back once he and her mother fall in love. And despite his horrid actions, the reader can’t help but feel sympathetic towards Callie Anne’s father.  He is losing his family.
At the outset, the story reminded me a bit of To Kill A Mockingbird.  A youthful narrator making observations on her own past from a more mature perspective.  A rural setting.  Complicated families.   But about halfway in, it devolved into a soap opera.  Situations become repetitive, until all that’s left is “will they or won’t they?”.  Those who like coming-of-age stories with a gossipy edge should read The Starlite Drive-In.

Many thanks to the folks at HarperCollins for the review copy.
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ISBN: 9780062092649; ISBN10: 0062092642; Imprint: William Morrow Paperbacks ; On Sale: 11/22/2011; Format: Trade PB; Trimsize: 5 5/16 x 8; Pages: 336; $14.99; Ages: 18 and Up; BISAC1:FIC000000; BISAC2:FIC022000
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REVIEW: THE TINY BOOK OF TINY STORIES

Volume 1
by hitRECord & Joseph Gordon-Levitt
This book is pure joy.  Short, succinct thoughts and ideas with curious and thoughtful illustrations are compiled in this small tome.  But don’t let the size deceive you; as William Blake wrote, “One thought fills immensity.”

Some stories garner a chuckle.  Some make you feel like you’ve been stabbed in the heart.  Others simply remind you to stop and smell the roses.  None are overly sentimental; rather these make up a sort of Poor Richard’s Almanack for modern life.  

It’s a collective of collaborations from hitrecord.org – one you will find yourself visiting over and over. Self-described as: “HITRECORD is an open collaborative production company, and this website iswhere we make things together. Writers, musicians, filmmakers, video editors, animators, illustrators, photographers, photo-shoppers… Wanna work with us? I direct our community in a variety of collaborations. When one of our productions makes money, we split the profits 50/50 between the company and the contributing artists.”

But don’t just take my (or even their) word for it.  Let these “excerpts” speak for themselves. 

I truly can’t wait for volume 2.  And am already skulking around their site, hoping for more modern wisdom with a wry smile.
Many thanks to Joel at !t Books (HarperCollins) for the review copy.
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ISBN: 9780062121660
ISBN10: 0062121669
Imprint: It Books
On Sale: 12/6/2011
Format: Hardcover
Trimsize: 4 x 6
Pages: 88; $14.99
Ages: 18 and Up
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REVIEW: THE SCRAPBOOK OF FRANKIE PRATT by Caroline Preston

I adore this book.  It’s a completely individual way to tell a story.  It’s a novel masquerading as a scrapbook — or perhaps it’s the other way around.  Author Caroline Preston says of taking on this project, “I spent an unhealthy portion of my childhood rooting around in the boiling-or-freezing attic of my parent’s house in Lake Forest, Illinois.  My mother could be called a tidy pack rat —keeping many generations worth of diaries, letters, clippings, dresses and weird souvenirs in neatly labeled trunks and boxes.”  


She could be talking about me.  With family in rural Illinois and a grandmother who has been a wonderful archivist, I have spent untold hours staring at pictures of ancestor’s I never knew.  My cousin Rachael and I also frequent the many antique shops in small towns — not to mention the treasure troves we find in old barns and sheds.  I’ve got piles and stacks and boxes of my own now.  Postcards and driver’s licenses from people I don’t know.  


One of my prized finds.

Preston takes actual pieces of vintage ephemera and constructs a story about a young girl who’s growing up during the fabulous Roaring 20s.  Frankie Pratt lands a scholarship at Vassar, rubs elbows with wealthy socialites, gets a broken heart, dances the Charleston, and lives it up in Art Deco Manhattan and expatriate Paris.


Page 116

Preston’s narrator is sweet, naive but not useless.  She is reminiscent of Cassandra from Dodie Smith’s I Capture the Castle.  She chooses experience over caution, but she’s not spoiled or reckless.  Simply a smart girl who wants to get the most out of life.  And her scrapbook makes her even more endearing to the reader.  


Page 180

Preston’s collection is even more impressive when you learn that it’s all real. She created an actual scrapbook of actual items that she found.  Preston recalls, “In all I collected over 600 pieces of original 1920′s ephemera.  Some I found in my own stash of vintage paper, the rest I tracked down and bought from dozens of antique stores and hundreds of eBay sellers.”  And she did a beautiful job. 


The Scrapbook of Frankie Pratt reads, in parts, a bit like a young adult book but not enough to be only read as such.  It’s completely enjoyable for any age.  The items found on the pages enlighten the reader about a past era.  Frankie Pratt is a lively voice from the past.  




Many thanks to Heather at HarperCollins for the review copy.


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ISBN: 9780061966903
Imprint: Ecco 
10/25/2011
Format: Hardcover
Trimsize: 6 x 9
Pages: 240; $25.99

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REVIEW AND GIVEAWAY: AGATHA CHRISTIE

An Autobiography

As much as I love biographies, I’m often hesitant about autobiographies.  Everyone has an interesting story — that doesn’t meant they know how to tell it.  There is no doubt Dame Agatha Christie knew how to tell a story.  Hundreds of them.  But her best may be her own.
She begins at the beginning (sort of) and tells a roughly chronological series of events.  In fact, her fanciful meanderings are part of what makes the book so endearing.  Her descriptions of late Victorian / early Edwardian society are not only priceless anthropologically, but an absolute joy to read.  The tone is light and joyful, as a small child might tell her grandmother about the fairies at the bottom of the garden.  Indeed, her young life was rather ethereal.  One of those English upbringings that one wonders if it actually ever existed.  Imagination was encouraged to run rampant and adventure was to be met head-on. 
Her observations on life itself, too, are absolute gems.  One could extract an entire philosophy from her thoughts.   While recalling her studies in Paris, she muses, “It seems to me that teaching can only be satisfactory if it awakens some response in you.  Mere information is no good, it gives you nothing more than you had before.”  Or her recollections of Christmas as a child.  ”After the pleasurable inertia of Christmas afternoon – pleasurable, that is, for the elders: the younger ones read books, looked at their presents, ate more chocolates and so on — there was a terrific tea with a great idea Christmas cake as well as everything else, and finally a supper of cold turkey and hot mince pies.  About nine o’clock there was the Christmas tree, with more presents hanging on it.  A splendid day, and one to be remembered till next year, when Christmas came again.”  These and other memories of dances, parties, traveling to Egypt with her husband archaeologist and trips with grandchildren are an entirely enjoyable read.  In fact, one doesn’t need to be a fan of Agatha Christie or even mysteries to enjoy it.  
My review copy does not include the audio disc of Agatha’s actual voice dictating her memoir.  I can only imagine it, too, is nostalgic and lovely.
In honor of this reissue from HarperCollins, we have teamed up to host a giveaway in honor of Dame Christie.  
I’ve got a great little prize pack:  A copy of Cards on the Table, a delightful little Hercule Poirot murder mystery surrounding a game of bridge in a strange scenario; a pack of Agatha Christie bookmarks; and a black and red Agatha Christie totebag.  (This image is not to scale — obviously.)
So, do you want to win?  Leave a comment below with your NAME, EMAIL (at) DOT COM, and why you think you would be a good detective.  This giveaway is open to anyone with a US mailing address.  Have your comment posted before Friday, November 18, 2011 at 10:00 p.m. EST to be entered.  Winning entry will be chosen by Random.org.  
A huge thanks to Danielle at HarperCollins for the great gifts and the review copy of An Autobiography
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ISBN: 9780062073594
ISBN10: 0062073591
Imprint: Harper 
On Sale: 11/22/2011
Format: Hardcover
Trimsize: 6 x 9
Pages: 544; $29.99; Ages: 18 and Up
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CARDS ON THE TABLE by Agatha Christie

Unperturbed, Poirot gave her a card.
“Give that to your mistress. I think she will see me.”
It was one of his more ostentatious cards. The words “Private Detective” were printed in one corner. He had had them specially engraved for the purpose of obtaining interviews with the so-called fair sex. Nearly every woman, whether conscious of innocence or not, was anxious to have a look at a private detective and find out what he wanted.
Left ignominiously on the mat, Poirot studied the doorknocker with intense disgust at its unpolished condition.
“Ah! for Brasso and a rag,” he murmured to himself.

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BOOK PHOTO: THE LANTERN by Deborah Lawrenson

From The Lantern
“At a stone hut, which must once have been a shepherd’s borie, I was directed to a field about a kilometer away.  I arrived to find a field of hunched backs, the blue rows reverting to dusty green behind the women curled over like commas, cloth bags slung across their bodies.”
“It was an old-fashioned lantern… the kind of lantern that had been used for a hundred years, perhaps by a night watchman dangling it by its loop on a hook at the end of a pole.” 
My review will be posted August 2.
This book will be available from HarperCollins on August 9th. 
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REVIEW & GIVEAWAY: THE SISTERS BROTHERS by Patrick DeWitt

Long live the Western.  Author Patrick DeWitt brings fresh verve to a classic genre in his new novel.  It is told from the first-person perspective of Eli Sisters, one half of a hired gun team.  They’ve set out to find and kill Hermann Kermit Warm (ironically, the name of a famed art director in early German film) at the behest of the enigmatic “Commodore,” who seems like a sort of Keyser Soze pulling strings from an unseen corner.  Still, the brothers are very good at what they do, and make pretty good money doing it.  They cross the old west on horseback, have run-ins with gamblers, gunslingers and girls and reach their quarry just in time to join in on some prospecting for gold.  
What makes the book so enjoyable is the easiness of the tone.  Eli’s thoughts and description are uncomplicated.  He is not, however, simple-minded.  He has internal dialogues about morality and external arguments on philosophy with other characters.  And of all the strange people we meet on their journey, Eli certainly displays the most kindness.  It is his forgiving view that allows us, the readers, to forgive brother Charlie, or at least understand him.  It is very open and human, which is what a Western should be — strip away the urban constricts, leave a man to the elements and see what becomes of him.
Though not precisely a comedy, there are as many funny moments as their are awkward ones, and somewhat violent ones.  It is a Western, after all.  (Note: Animal lovers should be warned there  are some graphic descriptions of veterinary surgery.)  There is also a fun hint of steampunk in the prospecting scenes when they learn their mark has developed an unusual technique for finding gold deposits.  
It’s fun, adventurous and a great summer read.  And it’s about to get even more fun!  The great folks from HarperCollins did a limited run printing of the fantastic cover art by Dan Stiles (see the art at the top of this post).  Each is numbered and signed and one can be YOURS.  All you have to do is leave a comment below, with your email address. You can get extra entries by posting a mention to your blog, Facebook or Twitter.  Just be sure to send me a link in the comments.  The contest will end Monday, June 6, 2011 at 10:00pm EST.  I will choose a winner at random.

 US only, please. [THIS CONTEST IS NOW OVER.] 



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Thanks to the folks at HarperCollins for the review copy, and for offering a poster for this giveaway.

Watch the fun, animated book trailer here:
 

ISBN: 9780062041265; ISBN10: 0062041266; Imprint: Ecco ; On Sale: 4/26/2011; Format: Hardcover; Trimsize: 6 x 9; Pages: 336; $24.99; Ages: 18 and Up; BISAC1:FIC000000
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REVIEW: HOW SHAKESPEARE CHANGED EVERYTHING by Stephen Marche

This is the perfect little handbook for the English major, or literary wit in your life.  Simple and compact, it is a compilation of interesting facts surrounding the myth and mystery of William Shakespeare.  Author Stephen Marche notes that when he embarked on his PhD dissertation, “I chose Shakespeare because I thought he would never bore me.  And I was right.”
This book seems like a light study of all those little crumbs he picked up along the way, but had no place in an official academic paper.  His strongest moments are when he notes an anomaly, or finds a pattern and lets it lead him into something new.  The story of how starlings came to be in Central Park (and now North America) is one such discovery.  
http://apetcher.files.wordpress.com/2009/11/eugene-schieffelin.jpg
Marche’s assessment of certain themes is also eye-opening.  In particular his chapter on youth, specifically the section about Ophelia, is lovely — although, as an English major myself, I must politely disagree on his stance on Ophelia’s state of mind.  I do agree with his notion that it’s a bit weird that Queen Gertrude tells us all about Ophelia’s death, as if she watched but did nothing to help her.  I’ve always attributed that to a necessary solution to a staging problem.  The point is, he brings up ideas is an easy manner and makes one take a second look — or in some cases a first look — at how one writer influenced the future. 
Paul Robeson as Othello
Other sections are not as engaging.  He notes that a Nazi pamphlet entitled Shakespeare – A Germanic Writer was circulated and there were more productions of Shakespeare plays in Germany in 1936 than in the rest of the world combined.  But Marche fails to comment on this.  Was it because the artistic left saw little else they could perform – and survive?  Was it is a commentary to the dangers of the rising party?  What did the Nazis see in Shakespeare that they felt could be used to their advantage?  Marche’s short paragraph raises many questions but answers none.  Though this book is by no means intended to be an academic tract, it could have withstood a bit more fleshing out in parts such as this.  
Anne Hathaway’s cottage, most likely the wife of William Shakespeare.
Thankfully, Marche only briefly goes over the many questions and conspiracies surrounding Shakespeare’s identity and biography.  These are not relevant in this particular case, as the writing itself is what is being analyzed.  Overall, the book is very enjoyable and certainly accessible to anyone with a vague interest in Shakespeare, or simply in modern culture.  
Many thanks to the folks at HarperCollins for the review copy.
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ISBN: 9780061965531; ISBN10: 0061965537 
Imprint: Harper 
On Sale: 5/10/2011
Format: Hardcover
Trimsize: 5 x 7 1/4
Pages: 224; $21.99
Ages: 18 and Up
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REVIEW: THE WHITE DEVIL by Justin Evans

I can’t be sure how I became entirely sucked into this story.  Perhaps it was the easy, seductive charm of the setting; or the way the era was not obvious at the outset; maybe how it took on the genres of ghost story, coming-of-age tale and historical fiction all at once.
It is set in the exclusive Harrow on the Hill boarding school, just outside of London.  Alma mater for Byron as well as other fabled graduates, it becomes a torturous last chance for a young American studying abroad.  Escaping his own troubled past, our narrator seeks some sort of firm footing and perhaps a bit of acceptance.  Instead he finds himself the victim of an angry spirit’s torments. 
It seems the ghost of Lord Byron’s jilted lover has turned his sights on the main character and those that surround him.  With a few faithful friends and professors, they seek to sooth the phantom and release themselves, and the school, from his scornful mischief.  
It is enjoyable to explore Byron’s past through the eyes of this author and his characters.  His imaginative story is based on numerable biographical facts.  Byron did attend this school, there is a play called The White Devil, Byron did have a close friend, who did die of tuberculosis and Byron did leave England suddenly in 1809.  (Read more from author Justin Evans here.)  The weaving of all of these unusual circumstances into a ghost story would have been too much for any author to resist.  Luckily they were picked up by Justin Evans who clearly enjoyed letting his imagination wander the underground chasms disguised by time.
   
All in all, the book is great fun.  The point-of-view changes fairly seamlessly.  The narrative style of inner thoughts that break in is particularly well-used.  What is not perfect in every aspect (sometimes the villainy of the Snape-like headmaster gets a little overdone), it more that makes up for in chills and creativity. 
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Thanks to the folks at Harper for the review copy.
ISBN: 9780061728273; ISBN10: 0061728276
Imprint: Harper
On Sale: 5/10/2011
Format: Hardcover
Trimsize: 6 x 9; Pages: 384; $24.99
Ages: 18 and Up; BISAC1:FIC031000
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REVIEW: THE ORACLE OF STAMBOUL by Michael David Lukas

I desperately wanted to love this book.  As a self-proclaimed Orientalist, I sought to be swept away by the magic of the Black Sea and the secrets of the Bosporus.  I was hoping to find a bit of myself in the young protagonist — an innocent, with a nagging sense of urgency about the disappearing culture around her. 
Set in 1877 (and the following 8 years or so), it traces the early childhood of unlikely heroine, Eleonora Cohen.  Born under signs of augury and prophecy (at least according to the Tartar midwives), she becomes a ray of hope in confusing political times.  She never knew her mother and never felt any true love from her aunt turned step-mother.  A voracious reader and quick study, her intelligence is quickly stifled in favor of more acceptable household pursuits.  Miserable, she stows away on a ship to Stamboul, revealing herself only after it is too late for her father to turn her out.  She becomes an institution in Moncef Bey’s home, particularly after the death of her father.  Truly an orphan at the age of eight, she navigates deftly among historical and imaginary figures — spies, revolutionaries, dignitaries and royalty, including Sultan Abdulhamid II.  
Sultan Abdulhamid II
The idea is intriguing enough but it never seems to come to fruition.  Some parts are plodding without reason, while others with potential are glossed over.  I did read the Advanced Reader Edition, which warns that it is only a proof and changes might be made before the final printing.  However, I find it difficult to imagine an entire overhaul is in store.  Simply put, it reads more like a first draft or an outline of a novel, rather than the nearly finished product.  It is perfectly readable, just not as good as it could be.  His similes are often questionable, yet his knowledge and love of the era and area are clearly very deep.  Somehow, the two do not always mesh.  Scholarly underpinnings sometimes need to give way to the tides of the story.  
Yet there are flashes of brilliance.  The all-to-short chapter twenty-three offers a glimpse into Western reaction and ignorance of a complicated set of circumstances, while sitting in a posh hotel lobby in Pera is riveting.  Truthfully, it should have opened the book, then flashed back to early days.  
Parcel sheet, sent from Germany to Stamboul
It is an altogether valiant effort from a first-time novelist.  Lukas should be proud of this debut work, and seek to strengthen his story-telling muscles.  There are many mysterious tales yet to come from the land that straddles two continents and innumerable cultures.  Hopefully Lukas will bring them to our shores. 
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Thank you to the folks at Harper for the review copy. 
ISBN: 9780062012098
ISBN10: 0062012096
Imprint: Harper
On Sale: 2/8/2011
Format: Hardcover
Trimsize: 5 5/8 x 8 1/4
Pages: 304; $24.99
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