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REVIEW: THE GOLEM AND THE JINNI by Helene Wecker

golem

In the turn-of-the-century New York City, a Syrian tinsmith names Arbeely is repairing a copper flask, when he unwittingly releases a jinni.  The spirit has been captive an untold number of decades, unable to enjoy the freedom he once enjoyed.  The tinsmith, stunned, takes in the wayward jinni.  He gives him a cot and the name Saleh.

In the meantime, a golem without a master walks ashore.  She can hear the thoughts of those around her, and in the tenements of Lower Manhattan there is plenty of desperation to be heard.  A wise Rabbi Meyer sees the wandering golem and invites her in to his small room, giving her the name Chava.

The two supernatural creatures are adrift in the overwhelming city.  Not only are they at the same crossroads as any other immigrant in America, they are also attempting to navigate it trapped in a human form.  The two have separate narratives that eventually meet and intermingle.  They bond over their similarities, but still struggle with how very alone in the world they are.

The Jinni walked north along Washington Street, wondering if he’d ever be truly alone again.  At times the desert had felt too empty for him, but this opposite extreme was harder to bear.  The street was no less crowded than the coffeehouse had been.  Families thronged the sidewalks, all taking advantage of the warm weekend afternoon.  And where there were not humans there were horses, a standstill parade of them, each attached to a cart, each cart carrying a man, each man yelling at the others to clear out of his way — all in a myriad of languages that the Jinni had never before heard but nonetheless comprehended, and now he was coming to resent his own seemingly inexhaustible resources of understanding.  ~Pg. 102

VintageGenieLamp

They each become important members of their community, despite their insecurities.  Saleh is noted for his incredible metalsmithing skills and fine artistry.  Chava works in a Jewish bakery, kneading at superhuman speed.  They have found some purpose in their jobs, yet something is still missing.

The book alternates between narratives and is interspersed with an even more ancient story from the Jinni’s past.  In fact, this depth makes Saleh’s “side” of the story much more compelling than Chava’s.  I found his character complicated but deliciously so.  Chava was sympathetic but less interesting.

The novel also could have been about 75 pages shorter.  At times the narrative slows too much.  The lull lasts long enough for the reader to second guess himself.

The Golem and the Jinni will be a good read for a lazy summer day.

Many thanks to HarperCollins for the review copy.

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ISBN: 9780062110831
ISBN10: 0062110837
Imprint: Harper
On Sale: 4/23/2013
Format: Hardcover
Trimsize: 6 x 9
Pages: 496; $26.99
Ages: 18 and Up

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REVIEW: EXTRAORDINARY THEORY OF OBJECTS by Stephanie Lacava

I have a love/hate relationship with Paris.  Like many people, I expect, I had a romanticized notion of Paris, which I was quite aware was unreal.  But I still wanted to see the storied place of Latrec, Ilse Bing, Cocteau, Hugo, Doisneau, and Brassaï.  There must be something that drew them, inspired them all.

If there was, they took it with them.

Although there were certain things that we did that we enjoyed, as a city, a place, it was dreadful.  It was dirty, with rotting small animals left in public parks.  Every few years another agressive peddler tried to sell you the same cheap trinket.  The Metro was filthy and not well-run.  But I somehow managed to take stunning photos.  Maybe that is Paris’ spell.

I couldn’t help but think all this as I read Lacava’s fantastic memoir.  She was moved to France as a thirteen year old.  Already fragile, she is thrown into a new world, a new school, new country, new language.  One of her coping mechanisms is to collect random objects that are important to her.  No one seems to understand it, or her thought process, or even the inner pain she is experiencing.

Illustration from page 110.

The book is series of intertwined episodes during this confusing time.  Each essay shimmers along until the little asterisk signals a tangential explanation.  The footnotes sometimes last for three pages, dwarfing the “actual” text.  But this is the charm, and indeed, the strength of this memoir.  As the reader, we are given insight into how Lacava’s nonlinear thinking works.

Alone and unaccepted by other girls, I also loved biographies or fiction about alluring and iconoclastic women who would come to feel like real-life companions.  Reading was a Pascalian diversion; stories and facts were a distraction from spiraling thoughts.  I had always hated loudness.  It was loud enough in my head.

This mania extended to animals, people, and places — a city, even strangers in the street.  I had a game where I liked to imagine what sort of pajamas each passerby might wear.  This came from a belief that the more I know about the inner lives of others, the more I might understand the world.  Collecting information and talismans is a way of exercising magical control.  You can hold a lucky charm and known everything about nature’s creatures yet still be terribly lonely.  ~Pg. 3

In some ways, I think many young girls who are “different” but brilliant have these inner conversations and games.  It’s a way to exercise the mind without exposing themselves to ridicule.

Illustration from page 16.

Her writing is unflinching.  She is brutally honest about her self and her familial disappointments, but this is not a self-indulgent pity party.  This is insightful writing at its best — and it’s an extremely enjoyable read.

My sincere thanks to the folks at Harper for the advance review copy and for sending the images for me to inlcude.
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ISBN: 9780061963896
ISBN10: 0061963895
Imprint: Harper
On Sale: 12/4/2012
Format: Hardcover
Trimsize: 5 x 7 1/4
Pages: 224
$23.99
Ages: 18 and Up

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REVIEW: THE PRISONER OF HEAVEN by Carlos Ruiz Zafon

Zafon experts, please forgive me — this is my first time reading one of his books.  After I was nearly finished with it, someone asked me how I liked the first two in the series.  Oops.  But, I was impressed enough to want to go back and read them.  And as far as I am concerned, The Prisoner of Heaven stands on its own.

In 1957 Barcelona, Daniel Sempere lives above the family bookstore with his wife and newborn son.  His best friend, Fermin, is about to married.  Then a mysterious, cagey stranger appears and threatens to upset their happiness.  The crippled man purchases a rare edition of The Count of Monte Cristo and inscribes it to Fermin.  Fermin must then confide in his friend if he is to defeat the ghosts of his past.

Barcelona in the 1950s

The book uses frame story structure to give us glimpses into Fermin (and Sempere’s father’s) years during Franco’s reign, as well as using Daniel’s firsthand narrative to put the pieces together.  Zafon’s characters have a voice that is bemused, worn down by oppression and hardship.  They find a desperate humor in their difficult situation.

A professional bookseller has few opportunities to acquire the fine art of following a suspect in the field without being spotted.  Unless a substantial number of his customers are prominent defaulters, such opportunities are only granted to him vicariously by the collection of crime stories and penny dreadfuls on his bookshelves.  Clothes maketh not the man, but crime, or its presumption maketh the detective, especially the amateur sleuth.   ~Pg. 14

Books and storytelling are a prominent theme here.  Aside from Daniel’s job, there is the Cemetery of Forgotten Books.

His tiny figure was engulfed by the great beam of light pouring down from the glass dome in the ceiling.  Brightness fell in a vaporous cascade over the sprawling labyrinth of corridors, tunnels, staircases , arches, and vaults that seemed to spring from the floor like the trunk of an endless tree of books and branched heavenwards displaying an impossible geometry.  Fermin stepped on to a gangway extending like a bridge into the base of the structure.  He gazed at the sight open mouthed.  I drew up to him and put a hand on his shoulder.

‘Welcome to the Cemetery of Forgotten Books, Fermin.’
~  Pg. 264

I’d also like to give my complements to Lucia Graves, who translated the novel from Spanish.  She  conveys the rich, velvetiness of Zafon’s writing.  A good translation is so important to gravitas of a book and she does a great job here.

The Prisoner of Heaven is a fairly quick read, full of adventure and thematic intertwining.    It is a fresh take yet has an ancient wisdom about it all in a new (to me) setting.  Now, I’m off to find the rest of his books.

Many thanks to the folks at Harper for the review copy.

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ISBN: 9780062206282
ISBN10: 0062206281
Imprint: Harper
On Sale: 7/10/2012
Format: Hardcover
Trimsize: 6 x 9
Pages: 288; $25.99
Ages: 18 and Up

 

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REVIEW: FOOLING HOUDINI by Alex Stone

Part memoir, part essay, part history, Fooling Houdini is an incredibly readable book.    We’re brought along as Stone remakes himself from a haughty know-it-all who is publicly disgraced to humble student who finds his master.

The author had always dabbled in magic tricks and illusions.  He writes:

 Eventually my fascination with the mysteries of magic, and my quest for new material, led me to immerse myself in a world of meetings, lectures, and workshops — an underground community of like-minded obsessives for whom magic is more than just a hobby: it’s a way of life.  In any given week in New York City, where I now lived, there were a dozen private gatherings: in the backs of diners, a split-level veterans’ lodges, in spare rooms at medical centers and universities, and in various other undisclosed locations.  I quickly learned that the juiciest secrets were seldom printed in books or packaged in magic kits.  The most valuable knowledge — the real work — was passed along in secret session and backroom conclaves.  Deception, I cam to realize, was one of the few remaining oral traditions.                                                                 ~ Pg. 7

But after an embarrassing outing at the Magic Olympics (yes, they exist), Stone gives up his rabbit and top hat for a time.  When he finally decides to revisit his passion, he approaches it not only with new found respect, but also a great deal more circumspect.

He researches and studies psychological experiments, goes undercover into a three-card monte scheme and muses on the ethics of deception.  All the while, earning a Masters in Physics from Columbia University.  In fact, he becomes obsessed with what science and magic have in common, rather than viewing them as mortal enemies.

Stone’s writing style is jaunty and one imagines him to be likewise.  Though clearly nerdy,  he seems to have truly found his calling and is unabashed about it.

Stone posits:

Magic is a science as well as an art, and in science, knowledge serves only to deepen the mystery.  Each new find opens vistas on an uncharted territory at the edge of human understanding.  Nestled within each answer lies another riddle in an endless web of unknowns.

‘The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light.  A vast pattern — of which I am part … what is the pattern of the meaning or the why?  It does not harm the mystery to know a little more about it.’  This from physicist Richard Feynman, and it seems to me that it applies as much to magic as it does to physics.                                          ~ Pg. 152

This is not a manual for magic, though he does explain the principles behind a few tricks.  He mentions his various run-ins with “breaking the magician’s code”, but these are hardly giving away anything.  As Stone points out, no one believes three-card monte is magic; it’s the psychology and the physics behind it that make it appear so.   This is a long essay on the fundamental ideas behind magic — both for audience and magician — as well as an exploration of what modern science can tell us about how perception and deception work in our minds.

Many thanks to Danielle at Harper for the ARC.

Hear more from Alex Stone at foolinghoudini.com
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ISBN: 9780061766213
ISBN10: 0061766216
Imprint: Harper
On Sale: 6/19/2012
Format: Hardcover
Trimsize: 6 x 9
Pages: 320
$26.99
Ages: 18 and Up

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